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A period piece, set in the 1950s. The entire short takes place in a '56 Chevy.
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We only had the process trailer for one of the two days. Though the second day was mostly stationary, we did have a couple of driving shots. The car was full (shot POV) with two actors, camera, and director. So where do I end up?
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Ran the snake through the rear, passenger side window to the camera. No problem.
Open trunk and laws of physics kept me in a cloud of exhaust during the drive. That was a problem.
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By the time we got back to the starting point, I was a little light-headed. The best part was coming back down the hill after we were done. Joel gunned it (I was still wearing my headphones), and suddenly he stops the car. "Oh, crap! Alex is still in the trunk, isn't he?"
It's nice to be remembered.
Never get in a car to shoot without a professional driver. This includes the interior, not just the trunk. Actors are not professional drivers. Put the bag inside, set conservative level and press record. It's not like a reel-reel take's going to run-out. What's you life worth? You will understand better when you get older and wiser.
Hey C2V those are great pics btw. Just curious though what was your set up for that gig? Looks like 2 lectros and SD 442? I really can't tell though. Good examples guys keep them coming. I will have to go through my sd cards to see if my photos from prior gigs are still on them.
Opposite ends of the state.
Although I would like them to be Lectros but that will have to be later be cause some people want you to work for free or at a much lower rate for professional service.
Smart Idea.That's why i own less expensive wireless for my smaller projects and rent the big stuff when needed.
Alan I feel your pain. That was one huge load. If I remeber my heaviest rig was:
2 Lectro tx to 2 cameras
2 Lectro IFB txs
4 Lectro rx (3 talent 1 boom pole/ Senn MKH 416)
1 Shure FP33
1 SD 302
1 Tascam HD-P2
The sad part was that I did not have the proper bag for all of this stuff. I will get a bigger bag soon but need more paying gigs first. I really wished I had taken a picture of that setup but it was a one day gig and at that time my phone did not take pictures.
Weekend of August 07/08, 2010
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Here's another shot of me with the tank in the background. We were firing blanks, but LOUD!
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More to come...
A.
That is a huge setup. I don't like doing reality shows but if it will help to pay the bills i'll take it.Here's a pic of the heaviest rig I've ever had to deal with.
It was well over 40lbs.
It was for a well known reality show and it was also the job that
I decided was my LAST reality show.
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That is a huge setup. I don't like doing reality shows but if it will help to pay the bills i'll take it.
BTW what are those grey boxes in the mixer compartment?
Here's a pic of the heaviest rig I've ever had to deal with.
It was well over 40lbs.
It was for a well known reality show and it was also the job that
I decided was my LAST reality show.
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Nice set up Alan!
If you want your gear to feel lighter don't wear all black in the middle of an outdoor summer shoot :violent5:
I'm sure it sounds great !
Were they driving that tank around ?
Alan I feel your pain. That was one huge load. If I remeber my heaviest rig was:
2 Lectro tx to 2 cameras
2 Lectro IFB txs
4 Lectro rx (3 talent 1 boom pole/ Senn MKH 416)
1 Shure FP33
1 SD 302
1 Tascam HD-P2
The sad part was that I did not have the proper bag for all of this stuff. I will get a bigger bag soon but need more paying gigs first. I really wished I had taken a picture of that setup but it was a one day gig and at that time my phone did not take pictures.