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Been a long time since I brought a still camera with me... but during a long weekend trip / hike in Norway with my son (his first real hike :D ), I had the sense to bring the camera for some shots. Near Kristiansund are several "feel", the largest towering a mere 700 metres above sea level, but...

And here's the other way around... 5D4 matched up to the FS7 II where the only thing done to the FS7 footage is manual de- slogging (contrast and WB). Tried applying a film look afterwards to both clips and the 5D4 footage seems to hold up in this case. 5D4 footage up top and FS7 down below...

Coming from a lighting / photography background, what takes me out of the illusion is that the lighting is off... The animation works for me, but if I had to do it, I would probably when lighting those spiders, recreate the buildings around them, so the light follows the environment in the plate...

So... I wanted to see if you could make something usable between these two cameras. It was fun to see where the two differ in the interpretation of colors, but I also ended up wondering "why the hell these colors?!" Sony and Canon are both Japanese right? What is the basis of their different...

Bah... forgot to snap the lighting setup but it's more or less just this drawing :)

Recently did a small series of "cooking with one hand" videos for a local magazine. In this case I pretty much just wanted to augment the existing daylight, so I just used 1 M18 and one 2k blonde with full CTB. This also enabled me to used part of the window in the shot, so I didn't have to...

Before you ask.... I do have a BMD login, but I forgot the password, and I think they changed my username because it wasn't my own name to begin.... seriously their forum has so little response from the employees and their password recovery is gimped... therefore I come here instead. Since 14...

They list all their sellers on the website https://www.ac-et.com/film-tv/products/quasar_science/lighting/colour_tunable_sources_1325/quasar-science-q-line-x-crossfade-led-lamps.asp

As the title says... has any of you tried flying the FS7? I keep running into suggestions that the FS7 is too long for gimbal flying? So I was wondering if any you has managed to fly an FS7 with fx. the 18-110 or other lens. Cheers

I'm having a hard time finding any examples of raw from the FS7 making any real difference in opposition to just shooting xavc. So i'm looking for input from you guys... does the added cost of the XD unit and fx. the Inferno add up to the increased quality? And if anyone could share a raw FS7...

hey guys, just opened a thread in the News forum... seems like Sony is dumping the price on their mid tier cameras starting today some places and on monday other places. http://www.dvxuser.com/V6/showthread.php?355329-Sony-price-dumps-in-EU

So, I just received an email from a distributor in the UK and started checking them out. They pretty much all took a price hit. This made me call one of the local guys in Denmark to hear if it was a general thing and it is... Just to give an example, the FS7 II with the 18-110 lens kit is...

So lately, I've been having clients who want those sideways dolly moves, where you move parallel to the subject. This is something going on tv so I have to render out in 25fps. But the thing is, I can't for the life of me work out how they got no jerkyness in the spots they did last year. We...

Heya So, I had to go out of town because my father died suddenly, this meant I had to abandom an event gig and hand it over to one of my colleagues and two of our apprentices. Unfortunately none of them are very experienced in doing gigs like that, so while I tried my best to explain how I'd...

...to do a good recording in a shot that is seamlessly cut from greenscreen to city location? Basically 95% of the film is dialogue taking place in a car in a studio. But for 3-4 shots I have to shoot on location as the actor leaves the car. Im no audio guy so Im worrying how to pull this off...

Now what I mean by that title is simply: - Is there a single or a couple of succesfull (still to this date... not in the 80s) screenwriters who are dishing out valuable advice the same way Roger Deakins is? I've been looking at YouTube videos, and they always seem to lead either a writing...

If you're not able in foodstyling, be sure to get a foodstylist.... and no... a cook / chef is not a food stylist. Of course there are several different ways to shoot food, both in terms of lighting and what different parts of the world finds delicious, but I think more often than not, people...

Just wanted to share a setup I'm doing tomorrow with a famous chef here in Denmark. The set is not completely dressed, will have to finish it up tomorrow morning. Lights are: 2x 2k open face banging into our white walls. Flagged off with 2 man sized styro plates. 1x 300w fresnel with 1/1 cto...

Any of you guys own both cameras or tried shooting with them on a job? I'm doing a 3 cam setup and I (almost) feel stupid spending money on renting a 3rd 5D3 when we have the FS7 in house.... But I also don't want to the stuck in a situation where I can't match up the FS7 up to the 5D3 cameras...

After some fiddling around, C4D is coming pretty close to giving me what I want; point emitting 3D letters in a pyramid shape up towards camera out of the frame. If anyone would ever need to do the same here's what I read myself to doing: For single letters being emitted: - Make a MoText for...