Michael Anthony Horrigan
More Cowbell Pictures
Lots of great info in this thread. Well done.
MAH
MAH
"Lot 6a" - Shaun Patrick/The Giff
- Thread starter Shaun Patrick
- Start date
Shaun Patrick
Well-known member
Thanks for the kind words, Michael. More great stuff still to come.
Shaun Patrick
Well-known member
Frame Grabs: The Sequel
Frame Grabs: The Sequel
More frame grabs--all uncorrected. Picture should be locked tonight or tomorrow at some point, so I'll be able to put up some color corrected grabs.
Frame above was shot with the 5D Mark II using a Lensbaby. All the warping is an optical effect--nothing was done in post. Basically the Lensbaby creates a focus "sweet spot" that can be moved around as you shoot. For the film, we're using it to simulate the main character's disorientation with his surroundings.
Check out more about the Lensbaby here
Filmed with a 20-200 zoom lens. Stock lens that came with the Mark II but still pretty good glass overall.
One more with the Lensbaby. Here the focus "sweet spot" is really evident. Optically, though, the glass is kind of cheap--so there's a definite step down in resolution from the stock lens.
Frame Grabs: The Sequel
More frame grabs--all uncorrected. Picture should be locked tonight or tomorrow at some point, so I'll be able to put up some color corrected grabs.
Frame above was shot with the 5D Mark II using a Lensbaby. All the warping is an optical effect--nothing was done in post. Basically the Lensbaby creates a focus "sweet spot" that can be moved around as you shoot. For the film, we're using it to simulate the main character's disorientation with his surroundings.
Check out more about the Lensbaby here
Filmed with a 20-200 zoom lens. Stock lens that came with the Mark II but still pretty good glass overall.
One more with the Lensbaby. Here the focus "sweet spot" is really evident. Optically, though, the glass is kind of cheap--so there's a definite step down in resolution from the stock lens.
Shaun Patrick
Well-known member
Fine cut is done. Should be picture locked tonight. Then the actual fun begins--the color corection, scoring, and sound design sprint to the finish line.
Shaun Patrick
Well-known member
Last batch of uncorrected grabs. Been an interesting process working with the h264 files coming from the Mark II. In the transcode, we went the ProRes 422 (HQ) router rather than the XDCAM-HD route. In ProRes, there's definitely a little difference in gamma.
Keth Andril
Member
I'm excited about this one. I really like the concept you're working with
Shaun Patrick
Well-known member
Thanks, Keith. Fingers crossed that it comes out alright.
Thanks, Charli. The constipation would take it in an even more horrific direction.
Shaun Patrick
Well-known member
Picture lock. Halfway through the process of matching ADR and location sound. Wind was a killer on this production.
Shaun Patrick
Well-known member
Yes, Canon 5D Mark II with stock lens and a Lensbaby Composer.
Shaun Patrick
Well-known member
Thanks, Ramsaur.
Shaun Patrick
Well-known member
Working on the compression now. In the meantime, so CC'd grabs
Rodney V. Smith
DVXFest Promo Guru
Nice. Creates a great look for the film. Lookign forward to seeign this.
Shaun Patrick
Well-known member
Thanks, Rodney. Steve (the co-director and editor) did an incredible job on the CC.
Shaun Patrick
Well-known member
Uploaded. Time for sleep.
The Tall One
New member
How creepy
How creepy
I love that something as mundane as a parking lot can become so scary.
How creepy
I love that something as mundane as a parking lot can become so scary.
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Shaun Patrick
Well-known member
Yeah, man. After seeing the cut, I'm only going to use valet parking from now on.
Marlon Ladd
Veteran
Hey, Shaun. I don't know how the heck I missed this thread. I was looking to see if I'd been here and I hadn't. WTF? Well, anyway, glad I stopped through and I'm looking forward to seeing your film.