ZazaCast
Major Contributor
Geesh, thanks Marlon (you're probably my favorite male actor in this fest by the way, but I'll get to that in your thread), your comments mean a lot to me. You never know what you're going to get when you use Craigslist actors, a single stock DVX100b (yes, it really is just the good old DVX) and a ZazaSlider of course. You all know how it is, you have a vision of what you'd like to get but it doesn't always turn out as planned. I got lucky and was able to pull it off this time (I think, I hope). Another interesting point (or not), the ONLY sound captured to tape that was used was the van tire driving along...everything else was ADR, again for what I think is that 70's feel.Zaza!!! Are you kidding me right now?? That was awesome! You can tell that you've been finished with this film for as long as you have. Everything was pretty much spot on and you got plenty of coverage and all the extra shots you needed. I'm very, very impressed. Love your dolly shots and the two greatest cinematic moments in the film were the bicycle wheel spinning as the truck drives off and seeing the silhouetted bad guy standing in the barn door the first time. Love your style and editing for this film. Outstanding job. So glad to see it when filmmakers show growth and you most definitely have by leaps and bounds. You should be proud and seriously, did you shoot this on the dvx???
Thanks Matt... but my favorite part is the bad guy standing in the barn door...and that all came from hearing your tune, it was just the perfect fit! Thank you for allowing us all to use YOUR music, that is extremely generous of you and a Godsend for a lot of us. (not to mention all you poster work, etc.) Cheers to YOU!marlon took the words outta my mouth, real growth from you as a director. I really liked the film and especially liked the 70's exploitation vibe you went with.