Search results

Any idea a FCP project might have failed in Compressor? It has happened several times. I am using fairly low settings, but... still doesn't work. Any suggestions on how to not have this happen? Thanks.

I'd like to start a discussion here to see what you guys think. We like these cameras because they can give us a shallow DOF. But that isn't the ultimate goal. We really want to be able to utilize dof SELECTIVELY. The big challenge with the 7D, for me, is to get DOF right. To do so, I think it...

Why can't Canon make their software so it will really work with the 7D to download the footage???? Sure is irritating to not be able to do that. Now I gotta go buy a card reader. I got version 21.0 Any suggestions?

With the 7D, I capture in H264 and then convert the footage via Compressor into ProRes . Doing this takes 3 hours on my Mac G5. Plus it still needs to be rendered when dropped on the timeline, even though I set up FCP to bring it in as ProRes. (??) This takes more time (several hours)...

I'm still trying to figure out how to use the 7D manually. Please correct me if I am getting this wrong. Set camera on M Set lens on AF Set shutter speed to 50 if you are shooting at 24 fps. Set F Stop to the largest aperature you can, to get shallow DOF. Set WB to whatever you want, either...

This is from the Canon website, regarding the 7D: "Exposure Control during automatic video shooting: One issue video shooters encounter with auto exposure is that if the camera is panned to follow a subject, or if it moves from a light-colored subject to a darker one (or vice-versa), the...

Just got my 7D, and am having trouble getting the footage into Final Cut in good shape. I realize that I need to first transcode it in Compressor into PRO RES HQ, because mov files codec H.264 are not easily readable in FCP. Do i do it as 1920x1080, (even though I cannot yet make a DVD in HD)...

Which follow focus is best: Redrock or Zacuto ? What adapters and other supplemental hardware is really super desirable for the Canon 7D ?

I shot in DVCPRO HD 24p and want to find the highest quality for a 12 minute video to fit on a std DVD. Using FCP, do I go through compressor? What codec is best? What is bit rate and how do I set it. thanks. :happy:

What is the difference between a GH1 with and without using primes? Is it major? Are prime lenses required in order to get the "fIlm look"? thanks

Occasionally I find the darker scenes in my footage look very dark on the final DVD, although the scene was adequately lighted at the time and looked fine on the NLE (Final Cut). I use tungsten lights, however sometimes incandescent lights are also present in the scene. Could this be the...

when I click on the point button and drag it to the canvas to set a point for the matte, it activates the point an inch or so away from where I placed the + What am I doing wrong ?? thanks

I did a 3 camera shoot for a music video, and am trying to make a multi-clip in Final Cut. I want to use only one of the 3 audio tracks. Can someone tell me how to do this? When I change angles, it wants to use the audio track from the new angle. Thanks

I am shooting a music video with a Sony 2000 and a DVX 100. Apparently the 30p mode on the Sony 2000 is useless except for stills. So can I shoot 60i with the Sony and 24p with the DVX and have it look okay when edited together?

I want to shoot with two cameras for a music video. A DVX100 and a Sony DC2000. I will edit in FCP. What is best? Can the DVX shoot 30p ? My Sony will do either 60i or (I think) 30p. Thanks.

Can someone tell me the default ISO of the DVX 100B ? I want to synchronize my light meter to the camera. Thanks.

Anyone have this light? Is is good? I hear it is fiberglass.

I'm wondering if any serious gaffers regularly use a light meter for video, and if so, exactly what do you measure?

What's the story on white balancing? I've been told by a very experienced pro that on HD cameras, I should always use the presets of 5600 or 3200 kelvin for my white balance, and never do a white balance with a white card in the scene. But in school, I was taught to redo the white balance...

I goofed and recorded a male voice too loud, so that it is distorted. What audio filters in Final Cut could I use to improve the situation? Thanks