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for a cell phone, that looks great. it's better than i was expecting.
what?! are you kidding at around approx ~200 Pixles and web compressed anything will good, hook it up to 55" 1080P HD tv and to an A/B.
Not only that, how many people are asking people to post footage online so they can determine quality? :cheesy:i know it won't look as good, but honestly how many people are going to be watching cell phone videos on a screen that big? :cheesy: i see people using it to take quick videos of the kids, sending clips to friends and family, or uploading to youtube. for those types of things it will be very good.
I would hope nobody is honestly counting on it to do anything other than personal videos.
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Give Hollywood ten years.I would hope nobody is honestly counting on it to do anything other than personal videos.
It's not what you shoot with, it's how it's used.
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I was thinking the exact same thing.what?! are you kidding at around approx ~200 Pixles and web compressed anything will good, hook it up to 55" 1080P HD tv and to an A/B.
I was thinking the exact same thing.
It's not what you shoot with, it's how it's used.
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Y'know, the temptation to do something with one of these new products is pretty strong. I was looking at the EVO 4G because it had HD 720p video at, supposedly, 24fps... not for general purposes, but because I wanted to try shooting something on it, basically just to see if I could get something good out of it.Well, I guess Hollywood should scrap all its Panaflexes, then.
Is there a "rash" of 5D/7D use on professional films? We've heard of a couple of instances, but as far as I know they certainly haven't replaced anybody's A-camera on a conventional feature film. What I've heard of is mainly them being used in specific circumstances where their A camera couldn't go; like helmet cams and plate cams and handheld shooting and tight-quarters shooting, things like that.^ Hence the rash of 5D/7D use on professional films. Big DP's just playing around.
Is there a "rash" of 5D/7D use on professional films? We've heard of a couple of instances, but as far as I know they certainly haven't replaced anybody's A-camera on a conventional feature film. What I've heard of is mainly them being used in specific circumstances where their A camera couldn't go.
Anyway, I'm sure it started that way, DPs being interested in seeing what they could do with these little cameras, but it stuck around because the 5D, at least, has some serious advantages over film cameras, in that it is tiny and has massively wide angles with super-shallow DOF. I think the iPhone is going to have a lot harder road to become an accepted/viable product on a feature film shoot, at least as the "A" camera...
Y'know, the temptation to do something with one of these new products is pretty strong. I was looking at the EVO 4G because it had HD 720p video at, supposedly, 24fps... not for general purposes, but because I wanted to try shooting something on it, basically just to see if I could get something good out of it.
Thing is, I sincerely doubt I would do that twice. Once you've explored the novelty of it, why keep working with equipment that's not designed to do the job you want?
So no, I doubt people will be throwing out their Panaflexes and replacing them with iPhones. But I can certainly understand the appeal of wanting to put the new toy through its paces! :thumbsup:
I would hope nobody is honestly counting on it to do anything other than personal videos.
Be careful, my friend... you're acting like you are just dead-set on becoming the new target for "the revolution"... :shocked:Yeah, but that's quite different from what I was referring to. What I hope is that no one's out there thinking "yeah, this camera will be all I need!"