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I really disliked pressing buttons on the C200 and using its external touchscreen...slowed me down.
But as long as they keep the features coming to all of their cameras, it's all good.![]()
do you own a C200?
It's my first Canon Cinema and so far and I don't find the handling of tracking unhandy. It's just one button to activate and one touch for the target. For the rest of the time face detection does a brilliant job.
I use their stills camera for video...I don't even know how it works for pictures (in terms of how good it is), but I'm assuming it's the same.
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I use their stills camera for video...I don't even know how it works for pictures (in terms of how good it is), but I'm assuming it's the same.
The process of having focus automatically pulled for you - which you can trust 99% of the time - while you can concentrate on framing and exposure is truly a gift.
I understand & appreciate the art of manual focusing and that connection with your camera, and even the subject, but it's just not for me.
The DPAF on my 80D is better than my C200 or 300 MKII. It just latches on and never lets go.
Oops, I just ordered an R5:-D
[/url]CRMCanonR5Frame_1.3.1 by Teddy Dem, on Flickr[/IMG]![]()
Would need a pretty beefy computer to be able to edit these files at full resolution without proxies. BRAW and R3D's definitely fare way better on my computer (6-core with GTX1080 Ti). However, at half res decode quality I am able to get playback without any issues with Davinci Resolve.