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Hello folks, Could anyone help with this? I'm going to shoot an interview at night and all I have available are 4 650w arri fresnels. The problem is: I'm gonna have both the interviewer and the interviewee on frame sitting side by side (no reverse angles). What can you suggest so I can get the...

Hello Guys, On Monday I'll shoot a TV Commercial that will be broadcast in Digibeta SP. I intend to shoot 720p with different frame rates. What settings should I use in a Final Cut Pro HD project? Should it be 24p? With DVX100A I sometimes use 30p footage in a 24p timeline to get a little...

Michael, When logging tapes recorded with 24pA pulldown in a 23,976 project, can I just log then as I would any normal NTSC tape or should I always start capturing on a 0, 5, 10, 15, 25 frame so Avid Xpress Pro can know where to start removing the pulldown? For example: if I mark in on a frame...

Hi MichaelP and other users, I captured three tapes of dv footage into xpress pro 4.6, put the one-hour-long clips on the timeline and exported the sequence as OMF 2.0 with the option "copy and link to copied media". I then moved the OMF file and the folder with copied media files to another...

I suppose the article linked below has been discussed somewhere here, but I couldn't find anything through the search tool, so: In this article for American Cinematographer http://www.theasc.com/magazine/product.htm , John Fauer shot 16mm and DVX, then scanned 16mm at 2K resolution and...

Hello there. I wonder if you can help me with a question that arised when planning a film project to be shot with dvx100a. It´s gonna be my first short made with this cam. Since the 24p mode is actually 23,976, when I record audio either on camera on on a DAT, the audio will be in sync with...