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i would like to see the good folks at panasonic...mitch, are you listening?...find a way to support the shooter who has a m43 collection of lenses.
i wonder if there should be a m43 mount option rather than just the touted ef mount?
there are folks who have stayed with the panasonic ecosystem from the af100 and the first gh.
their reliance on the value of the m43 mount along with their continued involvement with m43 makes the eva1 with only an ef mount a hard pill to swallow.
is a swappable mount ef -> m43 an option?
be well.
rob
smalltalk.productions
It's just a camera folks.
Michael, you make some good points however I agree that auto focus and stabilization are unsuitable for hire in most cases.
Newsflash:
There users Youtube making millions with nothing more than a gorillapod and a 70D in full automatic.
No one gets to define what is professional anymore, rule anything out at your peril and that means in both directions. Don't sneer at kiddo shooting in full auto mode whose final product is both genre defining and a gold mine and if you're the kiddo don't sneer at the crusty ol' fuc*er with 17-120 who gets most things in focus at the first time of asking.
What a change from when I got started, it was a virtual closed shop now anyone can have a go.
You don't have to worry about that because there will be no working DPs; there will be working robots. :nads:
But if / when all the old farts die out.. there will be only kiddos who cant shoot anything but auto .
don't underestimate the kiddos. Pulling AF is a skill they will learn on a lazy afternoon. It's a wrong conclusion that they cannot pull focus because you don't see them do so. They just don't have the need.
Kiddo here, I place great value on learning the methods of the professionals. I personally never use auto anything unless the situation calls for it. And in cinema, I have yet to encounter a situation that does, but I won't say that one may never arise. I've done AC work, and I make sure to know the practices of an AC in days when film was the only option. I try to apply that to digital work. When I direct, I try to have enough table readings and rehearsals so we aren't 'wasting film' even when we're shooting digita-which has been always thus far for me. Had I not learned about working on film productions, this might not have been my mindset.
My point is, when the educated educate, there is no need to fear of the next generation being incapable. When more experienced DPs invite a youngster to set, or allow one to shadow them, they are providing an opportunity for a member of the next generation to see the way things are done properly, passing information rather than the disinformation that is floating about.
While there are plenty of automatic kiddos, there are also some old school kiddos, and a lot more information available today for learning. But I also wouldn't say that the auto kiddos can't offer innovation to the field either. We live in interesting times, and there may be unexpected and positive things to come from the ubiquity that surrounds film and video currently.
If you have experience, just keep teaching. If someone asks, explain. That is the way to keep misinformation at bay.
But we may be getting a bit off topic.
Best