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michael olson if you want to see 'crawling' look in the shadows under the old man's left arm/armpit area when he moves the arm. there's all sorts of fun stuff going on there
1. The very first time I watched the clip, I was drawn to something going on with the hat in the first few ~7 seconds. It doesn't really feel like noise, but it does feel like something is "crawling" over the image. I don't know if it is the subtle texture, or something else.
I wonder if it still exhibits the phenomena if you have the lens stopped down at a wider focal length to an aperture that can be used at the narrower focal length.Of course there will be an exposure change when you zoom out with that lens, it has a faster f stop when it is wide than at telephoto, the camera may have been in auto exposure so it's not going to adjust accurately frame by frame.
No one should judge the quality from the Vimeo clip.... Vimeo is a means to view the clip quickly. To judge the image one needs to either grab the mpeg file or better yet, pull down the original camera file that Barry made available.
"Did anyone notice the old man?"
1. The very first time I watched the clip, I was drawn to something going on with the hat in the first few ~7 seconds. It doesn't really feel like noise, but it does feel like something is "crawling" over the image. I don't know if it is the subtle texture, or something else.
1. The very first time I watched the clip, I was drawn to something going on with the hat in the first few ~7 seconds. It doesn't really feel like noise, but it does feel like something is "crawling" over the image. I don't know if it is the subtle texture, or something else.
If your producers are that picky, why would you be shooting with a $5,000 video camera?
Edit:
and I don't believe that what you are referring to in the clip is mud.
It looks like something caused by the shaky zoom or an autofocus freakout.
Exactly -- there is no artistry implied or attempted here. Wait until you see what Philip did with this same subject. I was more interested in how the camera operates and in the changes they've made and trying stuff out. I was not, in any way, trying to make "beautiful footage". This style isn't my forte, and I didn't even have a tripod, just a little monopod to avoid the whole handheld look.It seems like too many people are trying to judge this shot for artistry which wasn't what Barry was trying to do.
You'll see more of that when Filippo and Philip post their footage. I watched their stuff on a 25' screen today. Looks pretty darn good.I for one and really impressed with how the camera performs - especially with the textures in the clothes. I have no doubt that with a properly directed and composed shot the camera will be everything I have been waiting for.
Judgments at this time serve no meaningful purpose at all.
This is very true. However, since the camera is still in development, we have a small window of time to report any issues/problems we may find in the footage as something that may be potentially improved in the last 5%.
I'd rather point out a few minor flaws and have one of them partially improved than sit back and say "It looks great!" - commentary which offers no room for improvement.
I have seen my HPX2700 P2 Varicam look very much like Super 16mm at times. I don't like the way lower end Panasonic cameras handle highlights nearly as much, there is a lack of tonality and a super saturation that takes us out of the filmic realm immediately.