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Definitely. We are going to have seamless effects that will blow people away. But we have discovered seemless effects take light years to render. :crybaby: It should be done in 3-4 months.Kholi said:Hope you guys have a chance to finish and clean up the effects.
msconce said:Definitely. We are going to have seamless effects that will blow people away. But we have discovered seemless effects take light years to render. :crybaby: It should be done in 3-4 months.
Larry R said:Have you networked the neighborhood into a massive render farm yet? :grin:
cinealma said:Wow. This one's going to be fantastic when done. The best part about watching this is guessing, "ok, what's going to be composited in there?!"
I assume in the finished version we'll find out who these people/creatures/entities all are, no?
msconce said:Actually...it will be a bit more understood, but not much more. The story is based of a novel I wrote and so will be used to pitch the concept to Sony Pictures hopefully.
Kholi said:Hope you guys have a chance to finish and clean up the effects.
spidey said:Well even with the unfinished effects, the story wasn't there.... it was sci-fi when it should have been spy.
same thing happened with you did hero-fest ninjas aren't really a Hero but more of martial arts/ kung fu. if you want to get down to it ninjas are assassins.
The first seen really took me out it. why in Greenscreen?
Later note: put tracking marks on your screen. it makes it much easier to do digital moves.
I dunno what you were going for.
Defcon said:Wait i think they made a new genre: sci-fi spy! i think it was spy-ish. all you need is a silver briefcase and its instantly spy! Anyways it looks cool so far guys, no need to critique yet because i know you have alot of work to do. Oh and by the way, i loved son of bond, lots of fun.
Mark Johnson said:9) My God, your actress is a doppleganger for the OlsenTwins on thos CU shots! With a little makeup and lighting she could play one of those neurotic twins! Hmmm. perhaps you could pen a spoof of some sort and all get famous on youtube -- maybe a MaryKate in rehab story!
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Mark
chris f said:Did the girl win or did the guy win? Did the girl die or did the evil spirit or whatever get slain, thus saving the girl's life?
Mark Johnson said:You guys deserve extra extra extra credit in my book for putting this version together. First of all, most of the filmmakers here can learn an enormous amount from this version, which shows the setup of your VFX shots. At some point almost everybody shooting will find themselves in a situation where a keying or tracking shot can help out the production.
To say this was the most ambitious project in the fest is an understatement. I hope there are always members touched with the insanity of biting off chunks this big (reminds me of how Ted and I took on the monster scope of Threading The Needle![]()
Mark Johnson said:A couple of comments/questions:
1) Opening scene with what looks like a jib move down and dolly into the tv: I'm assuming the background is CG keyed in (given the masking artifact on the pillow)? The television is rock solid but so well illuminated I'm wondering if you tracked the screen and replaced it? Can you share a frame of the original shot with us so we can see the elements of this effect shot?
Mark Johnson said:3) Nice entry pad with biometric thumbprint reader under the Fresno City Hall sign! Did you shoot at City Hall for real?
Mark Johnson said:5) Very nice shot as she moves between the computer/equipment racks. Is this all practical or did you add digital elements here as foreground/background?
Mark Johnson said:6) Superb killer security access keyboard/monitors! Where'd you get those?
Mark Johnson said:7) Pool cue in lower left foreground at 1:27 is one of my favorite discoveries! Spill the deets on what that was used for!
Mark Johnson said:10) Great sound / score in parking garage. The high "crane" shot in the alley is killer. Were you on a fire escape and is the pull-back digital or practical?
Shane (the lead male actor was co DP on this project and saved the day many times with lighting techniques. We put a light behind the wall she comes out from pointed at her and the back wall. (small home depot halogen). We had two lights above head level coming from stage left pointed down at her from a distance. We had a light up on the wall 10-15 up behind me (The camera operator). That light was pointed down at her as well. We also had a 1000 watt britek soft box close to her to throw light on her face.Mark Johnson said:11) Just really fine lighting in the alley at the fence. Tell us a little about the lighting setup there ok?
I will definitely let Mark cover this one as he is the guru.Mark Johnson said:12) Your VFX list mentions adding raindrops to bodies. Are you kidding me? First I question the value of taking the time for true particle effects as your scenes work really well with the wetdown and soundFX. But if you really are serious please tell us how you intend to accomplish that.
In the story this is derived from, the creature "Dimlock" inside the girl knows that the guy confronting it is a killer of Dimlocks. It will play the I'm afraid card until it knows for sure he actually knows it's there. Once it is sure he knows...then it no longer acts innocent but instead becomes a tapped animal that must fight back.Mark Johnson said:14) Nice twist at end. However, I'm not sure I agree with her playing the scared chick so much out front if she's really this badass creature inside. I understand it adds to the drama of the twist but I wonder if it would have played better to have her a little less "wimpy" when originally confronted.
When we saw that we said Ugg....okay that was a lame joke.... We totally missed it. We were shooting that shot aroun 4 in the morning and we were exhausted. We will be taking them out and replacing them. A heavy effect will be happening there so it will help sell the effect.Mark Johnson said:15) When you do the cable pull at the end I'm curious why your actress is wearing Uggs boots. Are you intending to replace them in the final shot?
Mark Johnson said:All in all its a friggin' blast!!!!!!!! Next time you shoot something like this feel free to call me. I've got a lot of experience shooting blue/green/red keys and I think I could help you with your setups to avoid some compositing headaches.
Great work guys. Don't wait to finish to start posting shots. We'd love to see each effect as you complete it.
Mark