Mitch Gross
Veteran
The info in the latest Jinnimag video is all either open knowledge, pointless semantics or blatant misrepresentation. I particularly liked when he made the crack about RED poaching Deanan from Dalsa and in the very post he referenced you can see he chose not to highlight the full sentence. I’m no defender of RED, but I knew where the sensor came from and it was no big secret for those who had certain connections in the industry. Same went for the various RED lenses. Some of Jinnimag’s points in these videos have been valid, but this one is pretty weak.
And he has some pretty important details wrong, like the laborious history of CMOS technology. There were plenty of other companies working with CMOS at that point, and in fact a lot of stills cameras were using CMOS. And I was connected with another camera company that was developing its own sensor designs based on CMOS technology, Vision Research and its Phantom cameras. Working Phantom HD (2K Super-35) and Phantom 65 (4K 65mm) prototypes were shown at the same NAB show where RED only had mockups, a full year before they had working cameras, the Peter Jackson short, etc.
A lot of Jinnimag’s limited historical info and internet finds feels like a high school research paper conducted by reading some Wikipedia articles. That’s a pretty limited view.
As for his parting shot about the breadbox camera holding 1K boards for a 4K image, it has nothing to do with the sensor and everything to do with a memory buffer that was only big enough or fast enough to hold 1/4 of the image. We can get into how this would be divided up, but suffice to say that I’ve seen the sort of thing Jannard describes and it makes total sense in a cobbled system such as that.
I’m rather unimpressed by this hour+ installment.
And he has some pretty important details wrong, like the laborious history of CMOS technology. There were plenty of other companies working with CMOS at that point, and in fact a lot of stills cameras were using CMOS. And I was connected with another camera company that was developing its own sensor designs based on CMOS technology, Vision Research and its Phantom cameras. Working Phantom HD (2K Super-35) and Phantom 65 (4K 65mm) prototypes were shown at the same NAB show where RED only had mockups, a full year before they had working cameras, the Peter Jackson short, etc.
A lot of Jinnimag’s limited historical info and internet finds feels like a high school research paper conducted by reading some Wikipedia articles. That’s a pretty limited view.
As for his parting shot about the breadbox camera holding 1K boards for a 4K image, it has nothing to do with the sensor and everything to do with a memory buffer that was only big enough or fast enough to hold 1/4 of the image. We can get into how this would be divided up, but suffice to say that I’ve seen the sort of thing Jannard describes and it makes total sense in a cobbled system such as that.
I’m rather unimpressed by this hour+ installment.