Mitch Gross
Veteran
DNxHD is still very much an active project at Convergent Design.At this point I don't thing adding DNxHD is a priority for CD. Sadly, it was promised ages ago and never happened.
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
DNxHD is still very much an active project at Convergent Design.At this point I don't thing adding DNxHD is a priority for CD. Sadly, it was promised ages ago and never happened.
We never offered this. What we offered was a Loyalty Program where if you already owned an Odyssey7Q with RAW and then purchased an Odyssey7Q+ we would give you a duplicate RAW option on the new device. We said it was for a limited time, said how long that limited time would last, reminded everyone when that limited time was getting close to ending, and then even extended it a little bit for the stragglers.Would Convergent Design consider bringing back the deal where, if you already own the RAW bundle... you can use it on multiple devices? I've thought about getting the 7Q+, but i have the 7Q and really don't want to pay for RAW recording all over again.![]()
I don't come from "some telecom co," I was a working cinematographer for 20 years and then worked at a major sales/service/rental company for another 7.5 years before joining CD. I know our industry and what people expect out of their tools.Why not just include the RAW decoding into the O7Q+ - I was annoyed with having to fork another $1000 after buying the equipment. It s like buying a car, then found out you have to buy 4 wheels to drive off the lot. Yeah, some marketing folks (probably used to work for some telecom co?) every feature you have to fork over $$ to turn that feature on; I like to do that, add $ for every feature during videographing![]()
We're not scrapping DNxHD.Well I wonder how this apple .mov deal is going to affect the CD DnxHD situation. I hope they were not just about to finish it and make it available and now decide to scrap it.
I really want DnxHD/HR also for the O7Q+.
This apple deal is surprising. People seem to so often use and want ProRes ProRes Prores.... Even stock media is often in ProRes.
I can't give any timelines, but it is definitely something we are working on.Hi Mitch, does DNx look to be sorted out and in firmware any time soon?
It's been forever since the release, and was a big appeal factor to choosing it over other recorders, as lots of broadcast clients still prefer DNx camera media for Avid.
(I'm ready to be off-and-running shooting DNxHD, or ideally xHR in 4K :thumbsup: )
https://youtu.be/5NVHwjtDy3g?t=3m47s
https://youtu.be/2JDNQNocsuo?t=4m16s
We recognize that there is customer demand for DNxHD, in fact now more than ever with Apollo. It is different people working on DNx implementation, so one project does not draw effort away from the other.Historically speaking, C-D has always made well-intentioned promises, but, fails to deliver because along the way they get distracted by other projects/products. In this case, I would surmise Apollo has taken the resources from finalizing DNxHD on the O7Q. They're a fairly small company, so, I suspect they are very resource limited. Yet, they just chronically over-promise. Now, they have this policy of saying, "don't worry, we're working on it". They've been saying that for 2 years, now. Being a PC and Avid user, I've worked with Prores and put up with the .mov shtick for way too long. But, C-D has the ball in their court.
They did the same thing with their old Nanoflash, until the Nanoflash was discontinued, before they ever delivered on the last few enhancements. Mitch says he was burned by providing too many delivery dates, in the past. But, he fails to recognize that we, the customers, have also been let down by their chronic lack of fulfillment on the original promises. Personally, I'd much rather have DNxHD than some of these slo-mo features, or other bells and whistles that were never promised in the beginning.
The latest build has errors in triggering from the camera with the F5. I've reported this, but, C-D claims they're aware of the problem and has done nothing to fix it. I can only guess that their customer base with F5's is too limited for them to care enough to fix this. All in all, I'm fairly pissed off about C-D. Their general customer support, like Mitch's presence on this forum, is really quite unique, and laudable.
But, c'mon guys, enough is enough. I suppose some might think I'm being a bit harsh, especially given their good customer support via Mitch and Dan. However, it's pretty low to claim a capability at product release that never really exists.
I think C-D is responsive only to their biggest customers. In order to get C-D off their butt on delivering DNxHD, there has to be sufficient big customer demand for it.
Your speculation is incorrect. For both Apple ProRes and AVID DNx, we must write our own code. We are given specs and other information, but in the end we must do the work. We then jump through some hoops and get certified, but that is at the end of a very long chain of events.I've been under the impression, or rather speculation, that it's merely a licensing thing. Why spend the money if 90% of your users are happy with Prores. This is why I keep mentioning it, in the hopes that more users that want it will speak up. I accepted this as a business decision, even if I didn't like it.
So Mitch, when you say you are actively working on it, does that mean you are having technical challenges? I mean, it's been over 14 years since I worked in software dev, but I refuse to believe integrating DNx encoding requires 3 years of active development.