Jeff Deveraux
Well-known member
Hello all-
I've been working on a HVX production supported by Apple. The editor is the head of FCP development and has informed me a new workflow recommended by Apple HQ. I thought I'd pass it on...
You simply make a disk image of the P2 card. This workflow has it's pro's and con's. On one hand, it takes more time in post. On the other hand, it is much more reliable for avoiding corrupt files. I don't know about you, but I have had some files simply just disappear and that hurts.
-First you mount your P2 card on the desktop.
-Then navigate to Disk Utility in applications>utility and open it. (I put my Disk Utility in the doc)
-Click on the P2 card and click on "New Image".
-Give the new image a name (like reel #) and a location.
-Make sure that "Image Format" is "read-only", and "Encryption" is set at "None".
-Click "Save".
This will create a ".dmg" file that FCP will not recognize. So before you try to import or access the files you must first mount the disk image by double clicking on it (I usually skip the verification process).
I've done this workflow on two systems... A single 1.8 G5 tower and a laptop. The faster of the two was the laptop due to the speed of the PCMCIA bus. The tower workflow was conducted via camera and firewire.
On the G5 tower I made an image of a 4 gig P2 card an it took 9 min and 22 sec. Then I took the same P2 card, opened it and copied the contents of that card (old school method) to the same drive as the dmg file I just created. That took 4 min and 15 sec.
On the powerbook using the PCMCIA slot, these times were cut in half.
Obviously, if time is an issue you may want to stick to the old school method, but the reliability of this new workflow is so much more comforting. On this production we had two cameras with two 4 gig cards each. Once one card was full, the AC would deliver the P2 card and a camera report to the "logger" who would return the card after ingest. Not once did any camera not have a card to shoot on. In a narrative production such as this one, I noted that it is much more simple for the editor if you have only one card in the camera at a time. This way, the camera reports are assured to reflect what is on the disk image. With two cards in the camera, a take can cross over to the next card when the first card is full. This can get confusing in post.
All in all, this workflow worked very well. Enjoy!
I've been working on a HVX production supported by Apple. The editor is the head of FCP development and has informed me a new workflow recommended by Apple HQ. I thought I'd pass it on...
You simply make a disk image of the P2 card. This workflow has it's pro's and con's. On one hand, it takes more time in post. On the other hand, it is much more reliable for avoiding corrupt files. I don't know about you, but I have had some files simply just disappear and that hurts.
-First you mount your P2 card on the desktop.
-Then navigate to Disk Utility in applications>utility and open it. (I put my Disk Utility in the doc)
-Click on the P2 card and click on "New Image".
-Give the new image a name (like reel #) and a location.
-Make sure that "Image Format" is "read-only", and "Encryption" is set at "None".
-Click "Save".
This will create a ".dmg" file that FCP will not recognize. So before you try to import or access the files you must first mount the disk image by double clicking on it (I usually skip the verification process).
I've done this workflow on two systems... A single 1.8 G5 tower and a laptop. The faster of the two was the laptop due to the speed of the PCMCIA bus. The tower workflow was conducted via camera and firewire.
On the G5 tower I made an image of a 4 gig P2 card an it took 9 min and 22 sec. Then I took the same P2 card, opened it and copied the contents of that card (old school method) to the same drive as the dmg file I just created. That took 4 min and 15 sec.
On the powerbook using the PCMCIA slot, these times were cut in half.
Obviously, if time is an issue you may want to stick to the old school method, but the reliability of this new workflow is so much more comforting. On this production we had two cameras with two 4 gig cards each. Once one card was full, the AC would deliver the P2 card and a camera report to the "logger" who would return the card after ingest. Not once did any camera not have a card to shoot on. In a narrative production such as this one, I noted that it is much more simple for the editor if you have only one card in the camera at a time. This way, the camera reports are assured to reflect what is on the disk image. With two cards in the camera, a take can cross over to the next card when the first card is full. This can get confusing in post.
All in all, this workflow worked very well. Enjoy!
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