puredrifting
Major Contributor
Try downloading original Prores and have a closer look, especially on the second link where it's clear that the phenomenon is not caused by lens. Different ISO and it's gone magically.
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Try downloading original Prores and have a closer look, especially on the second link where it's clear that the phenomenon is not caused by lens. Different ISO and it's gone magically.
I remember with the C300 MK II, when you were in LOG2 and you had a big contrast/bright area in a majority dark picture, there was a horizontal "streek/band" that came from the bright area and went across the dark area. It was just an anomaly and went away once you applied a LUT to it.......I believe it was addressed with a firmware update.
Jim Martin
CinemaWorks
16. When C200 is in dual recording mode, file name and numbers are not identical
When dual recording, the footage from slot A is off by ten file numbers from slot B. They should be identical as that is the whole idea behind dual recording, you can have two editors working on the same footage or could have one backup to replace footage if the card or media becomes corrupted.
the footage from slot B is off by 1 ,so if slot A starts at 1,2,3,4,5..etc slot B starts at 2,3,4,5,6...etc
file names in mp4 are MVI_xxxx.mp4 with x being a number. the problem is in the numbering in dual slot recording.
in dual recording i would expect that i get a duplicate in slot B of what is recorded on slot A.
Two things are hapening.
first off the naming of the folders are different in slot A and B for example 106-1212 and 107-1212 , 106/107 are the folder/reel numbers and 1212 the date recorded this makes slot B a different reel not a duplicate!
but worse the filenumbering inside the folders go off by 1 as well.
So if the first of 5 clips in 106-1212 (slot A) is named MVI_0001 followed by 0002,0003,0004,0005, the clips in folder 107_1212 (slot B) are named MVI_0002 followed by 0003,0004,0005,0006.
so the clip in A that is named MVI_0001 is named MVI_0002 in slot B, the clips are the same just named differently.
Do we have a contact in Canon to send this list to? Is it worth getting this over to them soon, it's a pretty big list at this point.
John
As much as I want to believe in the all seeing eye, I sent the list to my Canon contact in sweden just in case. Please send to the contacts you have and maybe they'll get a move on. :thumbsup:
For those of you not in the U.S., I think sending the list to your country's Canon distributor is smart. We want the mothership in Japan to hear back these requests from all over the world, not just from Canon USA. But as far as Canon USA, I know for a fact they are monitoring this list.
I have the same horizontal streaking issue on extreme contrast scenes like was posted. Hopefully it will be addressed.
Was that when you were in Log, Log 3, or just baked in 709?
Jim Martin
CinemaWorks