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Yes, we don't have an official source for this, nor do we know what is being shot.
So far, it's been a lot of hype over nothing (as far as the usage in pro circles goes)...unless you've been the one to salivate over the idea of being a background plate shooter!
Its because of posts like that canons are locked on red forums, if you are so smart then why dont you build your own RED cam huh ? Do it fast , now.The ENTIRE SEASON FINALE of the FOX series "House" being shot on 5D. Jim Jannard is rolling in his grave - his next camera will be called the "RED DEAD"![]()
http://www.cinema5d.com/news/?p=2818#comments
Its because of posts like that canons are locked on red forums, if you are so smart then why dont you build your own RED cam huh ? Do it fast , now.
I love ignorant people. If you can't afford it, it must suck!
If youre smart you'll sell your $25000 pile of LEAD...I mean RED today before Canon renders it even more worthless. Seriously- what idiot would pay to rent a RED when he could OWN a Canon for less than the cost to rent?
How pathetic is RED that buying a battery & Charger, Shoulder mount, or LCD ALONE would cost more than buying a Canon T2I?
I'd be surprised if RED was still in business 2 years from today. Jannard should have known that building professional video cameras is harder than making overpriced tacky looking sunglasses.
it seems like the validation you require from true professionals using your choice of gear is a lot more important to you than actually going out and creating something. And if that's really the case, then you're always going to be stuck in the shadows of those who only care about crafting a good story visually, no matter what tool will get them there.
It seems like the validation you require from true professionals using your choice of gear is a lot more important to you than actually going out and creating something.
Go give Jim Jannard the same lecture - the only reason anyone even takes the RED seriously is that Steven Soderbergh shot a few crappy films on it.
This thread is also a response to liars like Jannard who claim Canon DSLRs arent a professional tool.
Besides, we're not talking about creativity here, we're talking business. And in business terms Canon is kicking Jim Jannard's ass.
And here is how it matters to a typical videographer: In 2 years time RED may not even be in business anymore. If you want to play russian roulette and buy a camera from a company with a shady track record and may not even be around to support the camera in a few years, spend $25000 on a RED. If you want reliable company with long track record of excellence, buy a canon.
Go give Jim Jannard the same lecture - the only reason anyone even takes the RED seriously is that Steven Soderbergh shot a few crappy films on it.
This thread is also a response to liars like Jannard who claim Canon DSLRs arent a professional tool.
Besides, we're not talking about creativity here, we're talking business. And in business terms Canon is kicking Jim Jannard's ass.
And here is how it matters to a typical videographer: In 2 years time RED may not even be in business anymore. If you want to play russian roulette and buy a camera from a company with a shady track record and may not even be around to support the camera in a few years, spend $25000 on a RED. If you want reliable company with long track record of excellence, buy a canon.
Again, why do you even care? Are you getting money from Canon or something? All you should care about is if you can quality results from the equipment you have available to you.
You're also ignorant if you think RED won't be around in 2 years.
And yeah, Steven Soderbergh is the only reason people use RED cameras. And he was the only reason people shot on DV too. Stop talking out of your ass. (This forum really needs a rolls eyes smiley).
After the EPIC & Scarlett flop (that is if they ever come out) how will RED make any money? You do realize a company actually has to SELL a product to stay in business.
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