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Obviously Svart you haven't seen Panasonic's officiall video on rolling shutter that they put out with the HPX300 trying to talk it away as no big deal. I'd say the HPX300 is a pro level camera at a heft price and it rolls away like the ocean waves and roller skaters on crack.
If this video isn't the most retarded insult to any pro level video user, I don't know what is:
http://www.youtube.com/watch?v=whyzpwqXixU
Plus I think a 16 year old did the voice over like they were selling these things to a text phone 'tween' market.
Because Sony, Red, and Canon all did too. People demand high pixel counts and CMOS is the way to get them, and CMOS (as of today) = rolling shutter. Panasonic held out for a long time but the handwriting was all over the wall.Let me rephrase what I said earlier.. I would not purchase a camcorder that had rolling shutter. Why the F would panasonic come out with a professional camcorder that has rolling shutter?
Because Sony, Red, and Canon all did too.
Can you set it to 80s Steven Spielburg, 90s Spielburg, or modern Spielburg... which is a big step down....
As always the voice of knowledge. Thank you Barry. It is so easy to criticize when people don't understand the reasons why.
Then you are indicting the Red One, the (forthcoming) Scarlet, the Sony EX1, the Sony EX3, the Sony PMW-350, the Thomson Infinity, the Canon XF300 and XF305, the Sony V7U, and ... well, basically any CMOS camcorder on the market. They all have rolling shutters.I think it's totally unacceptable that a company put a camera out with rolling shutter when it's meant to be used by professionals.
Might want to check your facts on that. The Red One to this day has a rolling shutter, and it exhibits all the same issues that all other CMOS cameras do -- wobble, jello, skew, and partial exposure. They've sped their rolling shutter up to lessen the skew, but it still has all those same issues.RED brought out the One and then very quickly "fixed" the rolling shutter with firmware.
No, as an original Red One owner it was released as it was, and then (like most everything else in that camera) it was progressively improved upon. But it still very much has a rolling shutter and all the issues that come with that. And so does the new Mysterium-X sensor, and the Epic and Scarlet will have all the same CMOS issues as every other CMOS camera on the market.I don't think it was because they intended to pass it off on people originally, I think they just needed to get the product in the hands of the customers who paid before they took their money back. I don't think this counts.
anyway, I'd like to point out that there are also CCD cameras with rolling shutter too. The Canon XL series has rolling shutter for one. Good example is 28 Days Later when Jim is running up the stairs in the climax, you can clearly see the railing supports leaning heavily as the camera follows him.
Fair enough, I just put in a call to a guy I know who has owned a One since they came out with the first firmware fix. He's not complained once about the rolling shutter, at least to me. He looked at the GH1 rolling shutter and asked me how we can deal with that at all. The One might have rolling shutter but it must not be nearly as bad because I've seen all kinds of raw One footage and haven't seen much jello at all even when bouncing the camera around like what would make the GH1 puke it's jello guts up with.
Nothing like a having video to show the truth...
Randy
CCDs don't suffer from rolling shutter. What you describe isn't rolling shutter anyway, and could have come about from any number of reasons, the least of which could be how wide the lens is on the XL2 and the method used to mount a film lens on the camera.