John Brawley
Well-known member
I sure would dispute that 4:2:2 uncompressed is the same as RAW. Especially for any colour precision work in the grade. Sure visually it will look the same. But not when you're trying to grab a key on a hue in colour.
I'm not sure where 12 bit lin came from.
BMD Raw is 12 bit log. As I understand BMD camera internal processing is 16 bit lin and it gets turned into 12 bit log when the DNG encoding happens. It's then reversed out to 16 bit lin in Resolve. Same as Sony. Sony RAW on an F55 is 16 bit lin. Arri RAW is also 12 bit log like BMD Raw. 16 bit lin /12 bit Log are considered to be the same.
JB
I'm not sure where 12 bit lin came from.
BMD Raw is 12 bit log. As I understand BMD camera internal processing is 16 bit lin and it gets turned into 12 bit log when the DNG encoding happens. It's then reversed out to 16 bit lin in Resolve. Same as Sony. Sony RAW on an F55 is 16 bit lin. Arri RAW is also 12 bit log like BMD Raw. 16 bit lin /12 bit Log are considered to be the same.
JB