FOLEY - A missing element in all the Fest Films ?

John just use the little film strip icon and paste the whole url in.

Foley is fun. I like trying to make all the little sounds to make a whole.
 
Im terrible with foley. If I want the sound of someone being set on fire - I'm too literal about getting it :-)

The best one was John using a bin full of shredded paper rattling which was used to create the sound of leaves blowing along the path. I just snapped a huge branch off a tree and was ready to run down the garden with it. Thankfully john's suggestion was better.
 
Nah, my last entry was almost 100% foley and ADR. I knew I would ruin the performances if I went the ADR route this fest. ADR with masks is really easy. Not so easy this fest for me. :)
 
If I want the sound of someone being set on fire - I'm too literal about getting it :-).

love it!

I've been having fun recently gathering sounds. This video really puts things into perspective. Inspiring for sure.
 
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Automatic Dialogue Replacement - basically re-recording over the location dialogue in a controlled environment, typically a sound booth.
 
Automatic Dialogue Replacement - basically re-recording over the location dialogue in a controlled environment, typically a sound booth.

Just a quick note, ADR is notoriously hard for actors (to match performance and sync), sound editors (to match sync), and sound mixers (to make it sound natural). Especially since most of the fest films don't even have sound editors or sound mixers, it's ALWAYS important to do everything you can to get the best location sound you can. And even on Hollywood films with the best actors and sound crew, ADR is still rarely perfect.
 
just a quick note, adr is notoriously hard for actors (to match performance and sync), sound editors (to match sync), and sound mixers (to make it sound natural). Especially since most of the fest films don't even have sound editors or sound mixers, it's always important to do everything you can to get the best location sound you can. And even on hollywood films with the best actors and sound crew, adr is still rarely perfect.
+1
 
Just a quick note, ADR is notoriously hard for actors (to match performance and sync), sound editors (to match sync), and sound mixers (to make it sound natural). Especially since most of the fest films don't even have sound editors or sound mixers, it's ALWAYS important to do everything you can to get the best location sound you can. And even on Hollywood films with the best actors and sound crew, ADR is still rarely perfect.

Well maybe at this level of film making, when no one has the tools or the means to do it right. But Hollywood movies generally ADR almost every single line in the movie. I'd say the ADR techs have it down to an art and it's rarely imperfect.

Just the other day, I was hanging out on the ADR stage at Green Hornet, watching Seth Rogen and Christophe Waltz do their lines. They were doing scenes that I thought sounded great in the cut with the live audio, but they were still re-recording the lines. The techs make it really easy for them to be able to reread their lines to picture too. Though, it's not like the actors don't have any experience in doing it. It's standard practice on studio films.

But yes, in the indy/amateur world of film making where you don't have a sick ADR stage with ProTools/Avid playback in a sound booth for the actor, it's best to get the cleanest audio you can on set.
 
Well maybe at this level of film making, when no one has the tools or the means to do it right. But Hollywood movies generally ADR almost every single line in the movie. I'd say the ADR techs have it down to an art and it's rarely imperfect.

Just the other day, I was hanging out on the ADR stage at Green Hornet, watching Seth Rogen and Christophe Waltz do their lines. They were doing scenes that I thought sounded great in the cut with the live audio, but they were still re-recording the lines. The techs make it really easy for them to be able to reread their lines to picture too. Though, it's not like the actors don't have any experience in doing it. It's standard practice on studio films.

But yes, in the indy/amateur world of film making where you don't have a sick ADR stage with ProTools/Avid playback in a sound booth for the actor, it's best to get the cleanest audio you can on set.

Yes, Hollywood does loop a lot of lines mostly because they can and always want the backup while mixing. But in most movies 80-90% of the dialog used in the final mix is production audio, even if they did loop the line.
 
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