Deuceofspades
Veteran
Here is your answer Azmyth - I already answered you a few pages back 
Well... I'm weird when it comes to storyboarding. Or shot lists for that matter...
Basically ...
I've got it all in my head...
So when I work, I arrive on the set with a precise mental idea of what the shots are going to be and how they will edit together and I just go for it. I know this is an unusual way to do things and I am pretty sure it is NOT the right way to do this, but this is the way I do it. because I am entirely self contained, I can pull it off but I would not recommend this at all to anyone else.
I know it used to drive my grip crazy cause he wanted to snoop around and figure out what I was up to, but never could LOL. He never knew what was coming up next. When I work I like being in my own zone and don't like being disturbed, interrupted. If I need my crew to prepare for the next shot ahead of time I'll instruct them on what to do and sometimes explain to them what the next shot is, but otherwise, I keep it all inside my head.
Ironically, this has not caused me to forget to film a shot.
On occasion I have made a shot list and highlighted each shot, like a good little girl LOL. I think that out of 150 shoots I did that , like... 6 times?
But storyboarding? No way, Jose.
I usually came up with my camera move, blocking, approach concepts while driving, I let my mind float and let the vision come to me. Once I SEE it in my head I'm good to go. But I got to SEE it first. Also, a lot of shots are improvised on thr set at the time of the shoot. there are shots you stumble upon by "accident" that end up being your best shots. So I always keep my eyes open and my mind open for any new ideas that might sprout from being at the location and now looking at the real setting through the eye of the camera.
A good exemple of that was the bookstore shoot with dvx user Robert Eldon. I waltzed in the bookstore, saw the potential for a dolly shot I had not at all planned for and improvised on the spot to make it happen "borrowing" a local supermarket shopping cart to execute the shot. And the crazy thing is IT CAME OUT SMOOTH AS A BABY'S BUTT, and looks marvelous.
So trusting my instincts and spontaneous creativity have basically been my approach during the entire filming.