Its close to the perfect camera for me as well, its just pity that it is crippled unnecessarily. Would it really have hurt to give it the same codec as the C300?
Thanks I will defiantly test that. My main problem is exactly what you describe, bad macro blocking in the 20 - 35 IRE range, and I have tried all gammas and it does not make a difference. Hence I am reluctantly looking at the recorder option. Does anyone know where I can download some ProRes 220HQ Clog footage that is shot in dim interiors? It would be great to be able to see what differences there are. Since I live in Iceland I need to order all this gear in from the states just to test and it will be expensive.
AVCHD is working relatively fine for me when there is light, but at dusk and inside without a lot of light it really doesn't work for me.
A little note of caution here: if you DO go with a Ninja (I think you will), do try ProRes HQ early, compare and contrast with the 'middle ground' ProRes 422, avoid anything below... the macroblocking gets WORSE than with AVCHD (in my experience).
I agree that there are certain setups that seem to hit an unfortunate harmonic. Its as if the C100 uses a sort of 'diffusion dither' approach in its use of 8 bits per channel, and this can choke the compressor - especially in flat areas of tone around 25-35 IRE that needs to be a major part of your chiaroscuro background (sigh).
Thanks I will defiantly test that. My main problem is exactly what you describe, bad macro blocking in the 20 - 35 IRE range, and I have tried all gammas and it does not make a difference. Hence I am reluctantly looking at the recorder option. Does anyone know where I can download some ProRes 220HQ Clog footage that is shot in dim interiors? It would be great to be able to see what differences there are. Since I live in Iceland I need to order all this gear in from the states just to test and it will be expensive.
AVCHD is working relatively fine for me when there is light, but at dusk and inside without a lot of light it really doesn't work for me.