Chris Light
Veteran
ouch. well, here i go...liftin' one for you
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From what I've seen just looking around the forums it's beginning to look fairly certain that Sony will be introducing a replacement for the A700 with video and it will be announced tomorrow. Apparently there are a couple of normally reliable sources that say they have seen and handled it but can't say more because of NDAs. I'd expect the price point to be slightly under the 7D and D300s if it is the same as its predecessor.
Well many DPs and top cinematographers will disagree on that point
Stu Machwitz : http://prolost.com/blog/2009/10/22/the-ballad-of-the-gh1.html
Philip Bloom
Shane Hurlbut ASC
Rodney Charters ASC
To me it's better to sell and upgrade quickly when something newer hits the market. Loosing $100-$150 doesn't really bother me too much. If you wait too long the market gets flooded with everyones old gear and you will take a big hit when you want to upgrade. Even If I upgrade my camera every year for 10 years, I am only loosing $1000.-$1500 . On the other hand if you don't you will end up spending more and having your old stuff sitting on a shelf collecting dust.people will continue to sell/buy/sell, but what will be perpetual is that they won't shoot a goddamn thing worth a watch, and they'll complain that their cam was promised to do something that they can't figure out how to do.
Don't be hatin' ... technology is just advancing. I am sure that when the GH2 is released ... it will blow away anything Canon has got.
And that's when the 5D Mk III will be released.
problem is, that camera will cost well over $2000+
I'm sure the 5D MKIII will be worth ever penny of the $2k+.
Is the 14-140 GH1 parfocal then? After having read your article, it sounds like it isn't, but I haven't been able to verify this anyplace yet.
the pros keep their shots soft to tame the moire.
Please point to me where Rodney Charters or Shane Hurlbut have ever commented on the GH1. As far as I know, they've never used one.Well many DPs and top cinematographers will disagree on that point
Stu Machwitz : http://prolost.com/blog/2009/10/22/the-ballad-of-the-gh1.html
Philip Bloom
Shane Hurlbut ASC
Rodney Charters ASC
Same as on all the others. And noirist is correct, if you want to get rid of the moire, just defocus your shots. The SLR is so low res (and yes, I don't give a flying **** what anyone else says, SLR stands for "super low res") that you create the moire problem when you sharply focus. If you just defocus a little, you won't lose any actual image detail, the only thing you'll be giving up is the moire.Any tips on how this is done on the pany?![]()
one of the biggest drawbacks for me with the T2i is the recording time limit. is this something that could be fixed in the future with a firmware update?
on the pana side, it would be nice to ba able to have 30p in hd mode. again, is this something that can be fixed with firmware?
are the sensor sizes comparable with each unit? (can they both achieve similar depth of field and low light performance?)
auto follow focus (i know gh1 supports this with stock lens) does canon have this feature?
do both units use avchd compression?
is there a superior mounting system between these two?
audio monitoring possible on both units?
does either support external video monitoring (via hdmi)?
the T2i uses a better format and is a newer camera allowing for better footage.
Whether it can or not is a question for the Canon engineers, but a practical answer is: no. Ain't gonna happen. They have recording limits in there for several reasons, one of which is that they don't span across 4gb file sizes, second is that the cameras overheat when left running too long. Do not buy this (or any) product expecting some firmware update to change its functionality. Firmware updates that add features are extraordinarily rare.one of the biggest drawbacks for me with the T2i is the recording time limit. is this something that could be fixed in the future with a firmware update?
It does have 720/30p.on the pana side, it would be nice to ba able to have 30p in hd mode. again, is this something that can be fixed with firmware?
They are very close; if you read my Relative Depth of Field article you'll see the adjustments you'd have to make. If you open up the GH1 1/2-stop more than the 7D/t2i you'll get identical depth of field.are the sensor sizes comparable with each unit? (can they both achieve similar depth of field and low light performance?)
Auto follow focus? Or autofocus? The canons don't do video-style autofocus while shooting (does the t2i add anything on that front?) The GH1's "HD" lens can autofocus like a video camera's.auto follow focus (i know gh1 supports this with stock lens) does canon have this feature?
Yes and no. Yes they both use h.264 8-bit long-GoP 4:2:0 compression, the only substantial difference appears to be the bitrate between them. But because of the bitrate differences and the recorded file format, only the GH1's is classified as AVCHD. Canon uses h.264 in a Quicktime movie file.do both units use avchd compression?
Mounting what? Lens mount? I'd argue the GH1's Micro 4/3 mount is the most flexible and adaptable of all mounts on any interchangeable-lens camera out there; you can easily adapt Canon lenses to work on a GH1, but a Canon can't use a GH1's lenses.is there a superior mounting system between these two?
Audio monitoring is not possible on EITHER unit.audio monitoring possible on both units?
The Canons offer some HDMI output, but it's not full-screen full-res. The GH1 offers no monitoring of any type while recording, and only composite monitoring in live mode (and even then, you have to do a button-press hack to enable that.)does either support external video monitoring (via hdmi)?
The Canon's format is basically the same as the GH1's, operationally. But the Canon has 3x as much bandwidth allocated to it. This makes it more "robust" and less likely to cause compression artifacts.the better format just makes editing smoother does it not? i dont think it has anything to do with producing "better footage" since there are so many other variables depending on situation.
The Canon's format is basically the same as the GH1's, operationally. But the Canon has 3x as much bandwidth allocated to it. This makes it more "robust" and less likely to cause compression artifacts.