puredrifting
Major Contributor
Do you ever need four-channels of audio? I feel like that's really the main reason anyone would want the Module 2 accessory. I'd never have a need for it myself, which makes it even harder to swallow that Canon have only put one DTAP and one RS port on it.
One thing a lot of non-audio oriented shooters may not be aware of, I assume on the C500 MKII and I know for a fact on the C200, you can route the same inputs internally to Ch3-4 as you can to 1-2. Who doesn't like to have a set of safety channels set -10dB or -12dB to protect you
from talent screaming, laughing, loud ambient sounds?
I did a shoot a few weeks ago where the audio inut levels somehow got accidentally turned up way too loud and 1-2 were an overdriven mess. I had 3-4 set up to receive the same 1-2 input but had the manual levels set -12dB
lower. Totally saved our interview. As far as the C500 MKII, I would buy the V2 Module in a heartbeat, that's one thing I really miss from the Betacam days, having four XLR audio inputs. Two person interview? You have places to plug in two booms and two lavs. Getting a feed from a sound mixer on
1 & 2, you still have a place to plug in an ambient camera mic. Extra audio inputs are VERY handy for me.