Apollo & Odyssey firmware 2016.06

Convergent Design has released Firmware 2016.06, the largest, most comprehensive ever offered by Convergent Design.


Twenty-three new features cover functions for Apollo, Odyssey7Q+, Odyssey7Q, and Odyssey7. Twenty-Two fixes and improvements to current functions also cover the same models. And there are new versions of two free software apps. Detailed release notes are included below. All of these updates are free to the owners of the Apollo and Odyssey products. Convergent Design continues to expand upon a product line first delivered to clients 2.5 years ago, including gifting features that were previously charged upgrades.


Of the many new features, fixes and improvements, while some were announced at NAB 2016, most are debuting with this announcement. Because this firmware is so expansive, Convergent Design has produced several videos to help illustrate and explain the new functionality. There is an overview of the new functions as well as four short instructional videos detailing specific functions. Additionally, because the functionality of Apollo was dramatically expanded, a new extensive Apollo Tutorial video is also available.

A Few Highlights:

Apollo

Quad-HD Double Master Recording
Capture files to two SSDs simultaneously for instant backup. Hand one off to production and hold the other for safe keeping.

Quad-HD A/V Align
Intermix cameras with different signal latency and keep both audio and video in sync. Mix cameras from different manufacturers and with different signal processing and compensate for their delays in outputting signals.

Quad-HD 3:2 Pulldown Removal
Intermix HD 3:2 Pulldown video cameras with 24p cameras. Mix cameras that output 24p as 1080i60 with embedded 3:2 pulldown and cameras that output 1080p24, all on the fly with matching timecode.

Quad-HD Live-Switch Dissolves
Three speeds of dissolves available in live switching. A shortcut button allows alternating between cuts and dissolves for a more professional live edit.


Odyssey7Q+/7Q RAW Bundle

RAW Bundle Grant
Current owners of individual options granted full RAW Bundle.

Sony FS5 RAW
Record in CinemaDNG or Apple ProRes. 4K60p, 4K120p Burst, 2K240p. Odyssey provides the most complete support of Sony FS cameras in the industry.

IO Flare 4K RAW
Record in CinemaDNG. 4K60p. The only portable RAW recorder for the IO Industries cameras.



Here is the complete list of the New Features, Fixes & Improvements, and Software updates in firmware 2016.06 for the Convergent Design Apollo, Odyssey7Q+, Odyssey7Q, and Odyssey7

DETAILED RELEASE NOTES


NEW FEATURES: APOLLO & APOLLO OPTION (ODYSSEY7Q+/7Q)


Dual-4K/Quad-HD: Multi-Stream Audio Meters


- Dual-4K: Audio meters are displayed for the first four channels of each input
- Quad-HD: Audio meters are displayed for the first two channels of each input
- Expanded controls & descriptions in Audio menu




Dual-4K: PiP Left/Right Selection


- Dual-4K Picture-in-Picture display can be lower-left or lower-right
- Select in DUAL menu




Dual-4K: 4K60p Apple ProRes Support (Apollo)


- Record single channel of 4K60p in Apollo
- NOTE: Function already available in Odyssey7Q+/7Q Apollo Mode




Quad-HD: Double Master Recording


- Simultaneously record identical files to both SSDs
- 1080p 23.98, 24, 25, 29.97, 30
- 1080i 50, 59.94; 720p 50, 59.94, 60




Quad-HD: A/V Align


- Individually adjust frame delay to audio and/or video of each input
- Add up to four frames delay per video track
- Add up to seven frames delay per audio track
- Note: Not available when using 3:2 Pulldown Removal




Quad-HD: 3:2 Pulldown Removal Support


- 24p signals embedded within 1080i60 streams recorded as 1080p24
- Intermix 3:2 Pulldown signals (24p within 60i) with 24p/24psf signals
- Note: Not available when using A/V Align




Quad-HD: Markers During Record


- Set Markers while in Record
- During Record, MARKER button replaces Safe-Eject button




Quad-HD: Improved Focus Assist Access


- Option to switch HIDE button to FOCUS (Focus Assist) for easier access




Quad-HD Live-Switch: Dissolves


- Added dissolves (slow/medium/fast) in Live-Switch recording & output
- CUT/FADE shortcut button replaces * button during recording
- Dissolve speeds: Slow = 16 frames, Medium = 8 frames, Fast = 4 frames
- Select dissolve speed in QUAD menu




Quad HD Live-Switch: Audio-Follows-Video


- Live-Switch option to also switch audio source along with video source
- Affects audio source to Live-Switch recording and output
- Select in Audio menu
- Audio fade-out/fade-in transition is 21 milliseconds to smooth audio cuts




Quad-HD Live-Switch: OLED Monitor-Only Switching


- Switch OLED view without affecting Live-Switch recording or output
- Select OLED view using Lower Toolbar QUAD/A/B/C/D buttons
- NOTE: Monitor-Only Switching affects SDI A & SDI B outputs unless they are set to Preview (SDI A Out) & Program (SDI B Out)




Quad-HD Live-Switch: Single-Tap/Double-Tap Switching


- Switch inputs with a single tap or use double-tap Preview/Program mode
- Select between single-tap/double-tap in QUAD menu




Quad-HD Live-Switch: Expanded SDI Monitor Output Options


- SDI A Out selectable between Quad-Split view or Preview
- SDI B Out selectable between Quad-Split view or Program


SDI A Out options in Output menu:


- LUT OFF (Quad-Split view with no LUT applied)
- LUT ON (Quad-Split view with LUT applied)
- MIRROR OLED (Quad-Split view with Preview/Program and other overlays)
- LIVE-SWITCH PREVIEW (Preview input selection)

SDI B Out options in Output menu:


- LUT OFF (Quad-Split view with no LUT applied)
- LUT ON (Quad-Split view with LUT applied)
- MIRROR OLED (Quad-Split view with Preview/Program and other overlays)
- LIVE-SWITCH PROGRAM (Program input selection)


NOTE:


- When either output is set to Mirror OLED, LUT application mirrors OLED
- When SDI A Out is set to Live-Switch Preview, LUT is not applied
- When SDI B Out is set to Live-Switch Program, LUT application mirrors OLED




Quad-HD Quad-Split: Timecode Burn-In


- Timecode window is baked into the Quad-Split recorded image





NEW FEATURES: ODYSSEY RAW BUNDLE (ODYSSEY7Q+/7Q)




Odyssey RAW Bundle Grant


- Owners of individual RAW options granted full Odyssey RAW Bundle
- Log in at account on CD website for Activation code
- Odyssey7Q+/7Q Rental options are now Odyssey RAW Bundle and Apollo




Dual-HD Recording


- Record two HD video signals simultaneously in Apple ProRes (HQ/422/LT)
- Two SSDs required (one recording per SSD)
- Matching timecode (input A, input B, Odyssey-generated or LTC)
- Resolutions & frame rates must match
- No Genlock required
- 1080p 23.98, 24, 25, 29.97, 30
- 1080i 50, 60
- 720p 50, 60




Sony FS5 RAW Support


- Record RAW in CinemaDNG from the Sony PXW-FS5
- Record RAW -> Apple ProRes from the Sony PXW-FS5
- Note: Set FS5 to Picture Profile S-Log2, Color Mode S-Gamut/3200 or S-Gamut/5500



- 4K FS RAW -> 4K CinemaDNG 23.98, 25, 29.97, 50, 59.94
- 2K FS RAW -> 2K CinemaDNG 23.98, 25, 29.97, 50, 59.94, 100, 120, 200, 240
- 4K FS RAW Burst -> 4K CinemaDNG 100, 120



- 4K FS RAW -> 4K Apple ProRes 23.98, 25, 29.97, 50, 59.94
- 4K FS RAW -> UHD Apple ProRes 23.98, 25, 29.97, 50, 59.94
- 4K FS RAW -> 2K Apple ProRes 23.98, 25, 29.97, 50, 59.94
- 4K FS RAW -> HD Apple ProRes 23.98, 25, 29.97, 50, 59.94
- 2K FS RAW HS -> 2K Apple ProRes 100, 120, 200, 240
- 2K FS RAW HS -> HD Apple ProRes 100, 120, 200, 240
- 4K FS RAW Burst -> 4K/UHD Apple ProRes 100, 120
- 4K FS RAW Burst -> 2K/HD Apple ProRes 100, 120




IO 4K RAW support


- Record RAW in CinemaDNG from the IO Industries Flare 4K
- 4K RAW -> 4K CinemaDNG 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60





NEW FEATURES: ALL MODELS (APOLLO, ODYSSEY7Q+/7Q/7)




8-Channel Audio Support


- Record 8-channel SDI embedded audio in Apple ProRes (HQ/422/LT)
- Up to 32 channels in Apollo Quad-HD (8 channels per video input)
- Up to 16 channels in Apollo Dual-4K (8 channels per video input)
- Up to 8 channels in Odyssey 4K/UHD/2K/HD
- SDI embedded only, HDMI & Analog In limited to 2-Channel audio
- Audio meters display first two channels per input (first four channels per input in Apollo Dual-4K)
- Audio Out & HDMI/SDI embedded out use first two channels of video input
- Note: 8-channel audio not available in RAW, RAW->Apple ProRes, DPX, or Apple ProRes 4444 modes




Focus Assist Noise Reduction


- Improves legibility of Focus Assist
- Does not affect recorded signal
- NOTE: Enhance mode removed




Embedded SDI Record Trigger Pass Through


- Passes through SDI record trigger signal from various cameras to SDI outputs
- Regardless of trigger source, output trigger is ARRI/Canon/Sony standard




In/Out Marker Range Limiting


- Use In/Out Markers to limit range of playback in unit
- Starting play from an In marker will automatically stop at Out Marker
- Select LOOP in Playlist to repeatedly play only the selected In/Out range





NEW FEATURES: ODYSSEY7




Overlays Output On/Off


- Switch on/off OLED overlays to HDMI & SDI outputs
- Select in Output menu





FIXES & IMPROVEMENTS


Apollo


- FIXED Rare file corruption issue
- FIXED 1080p60 signal detection issue
- FIXED Occasional audio delay on SDI & HDMI outputs
- IMPROVED SDI B output carries embedded audio
- IMPROVED Source Naming added to XML file

Odyssey RAW Bundle


- FIXED Rare Canon RAW -> Apple ProRes frame issue
- IMPROVED Sony FS RAW -> Apple ProRes 240p drive spanning enabled
- IMPROVED Sony FS7 4K FS RAW -> 4K/UHD Apple ProRes debayer color fringing issue (yellow artifact at sharp edges)
- IMPROVED Playback Scrubbing artifacts of RAW recordings
- Odyssey7Q+/7Q


- FIXED DPX support for Sony F35
- IMPROVED DPX now supports 1080p60 over HDMI
- IMPROVED Playback of 4K Apple ProRes
- IMPROVED Playback scrubbing artifacts in 4K Apple ProRes
- IMPROVED Reduced display latency in single input HD Apple ProRes

All Devices


- FIXED Guides interaction with Hide function
- FIXED HDMI signal detection from computer sources
- FIXED Timecode issue with HDMI source in Time-of-Day mode
- IMPROVED Device boot-up time
- IMPROVED SDI/HDMI Record Trigger from Panasonic DVX200
- IMPROVED SDI/HDMI Record Trigger from Sony FS5/F5/F55
- IMPROVED Playback without an input connected
- IMPROVED Increased power draw efficiency


SOFTWARE


CD Apple ProRes Transfer Tool v2.4


- For Apollo multitrack recordings, added option to select tracks for offload
- Fixed Windows issues
- Windows and Mac versions available


CD LUT Converter 1.3


- To prevent formatting issues, in the Project and Notes fields these characters are no longer allowed: < > ' " &
- Windows and Mac versions available

Visit the newly-improved Convergent Design website to download the 2016.06 firmware along with manuals, new software apps and to view the new videos.
 
The whole RAW bundle!
Peaking Noise Reduction!
Drive Spanning for HFR ProRes!

way cool!

Seems like i can't find the update on the website though!
 
MItch,

Can you explain what those software items do:
CD Apple ProRes Transfer Tool v2.4
CD LUT Converter 1.3
 

Can you explain what those software items do:
CD Apple ProRes Transfer Tool v2.4
I'm no Mitch but I believe it transfers ProRes files from Odyssey SSD to your drives ;)
Think it also merges files split into numerous 4gb files and stuff like that.

CD LUT Converter 1.3
It converts LUTs that you might have so you can put them on your Odyssey.....
 
So to be clear regarding updates to Apollo...

I can now mix 60i from a c100 or xc-10 with 23.98p using the new 3:2 pulldown feature and not have frame rate mismatch issues?
 
Hi Mitch,

Wow, BIG update!

Could you explain what's been 'fixed' with F35 DPX support in this update please?

Cheers,

Mark
 
MItch,

Can you explain what those software items do:
CD Apple ProRes Transfer Tool v2.4
CD LUT Converter 1.3

The CD Apple ProRes Transfer Tool v2.4 is for use by both Apollo and Odyssey users. It is the application that should be used to import recorded Apple ProRes files from the SSD to your computer. For the Odyssey, it will span all of the FAT32 clip segments into your complete file clips as you shot them. For the Apollo it will do this as well as separate the special multi stream QuickTime format into individual matched clips so that they can be imported and read by your editing program. While Odyssey files can be used without this tool, Apollo files cannot. Please note that if you prefer to use a different program such as Shotput Pro to offload your SSD, you can still span your clips properly by using the CD Apple ProRes Transfer Tool, but that would be an added step.

The CD LUT Converter v1.3 is the program used for importing LUTs into the Odyssey and Apollo. It accepts standard .CUBE format LUTs and translates them into the specialized CD LUT format used within the Odyssey and Apollo.
 
So to be clear regarding updates to Apollo...

I can now mix 60i from a c100 or xc-10 with 23.98p using the new 3:2 pulldown feature and not have frame rate mismatch issues?
That is correct.

The 3:2 Pulldown Removal function in Apollo will remove the extra frames from each input, individually addressing the cadence to correctly derive a proper 1080p23.98 from the 1080i59.94 signal of cameras such as the C100 or XC-10. At the same time if a camera that ONLY outputs 1080p23.98 in it's native format is used (this would apply to numerous cameras from Sony, Panasonic and others), then Apollo recognizes this and does not attempt to alter that camera's signal. The result is all inputs recording in the same 1080p23.98 format with matching timecode and no MISMATCH alert from Apollo.

This is a ridiculously useful function for anyone wishing to shoot multicamera in 1080p23.98.
 
Hi Mitch,

Wow, BIG update!

Could you explain what's been 'fixed' with F35 DPX support in this update please?

Cheers,

Mark
Honestly I'd have to go back and check. I believe there was a frame rate that was taken away in the past when we introduced Apple ProRes 4444. I'll ask the engineers for a reminder.
 
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