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The sensor has mediocre dynamic range. Hopefully Panasonic has something better in the AF100 successor, whenever that's released.Thanx all for providing that information - It's a shame Panasonic didn't see the writing on the wall - I think many who have liked the AF100 will have a new home at JVC - If it checks all the boxes, of course, so we'll see - but for 4 grand, I'm taking a chance and pre-ordering one.
The sensor has mediocre dynamic range. Hopefully Panasonic has something better in the AF100 successor, whenever that's released.
.....
Think about how many NAB shows have come and gone, where everyone was so sure that they were going to introduce a successor? I see little evidence that Panasonic is listening or even cares about this market segment anymore.
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Price tag is expected to be high – similar to the AF101: around $3k-$4k
This is where I feel they lose credibility
$3-4k is cheap for a "AF200" if it has the features they listed. If anything I would think it would be closer to the cost of a Sony FS7, so somewhere around $8k. C100 ii is at $5.5k, so I could easily see the AF200 at $6k. So if you're thinking that $3-4k is expensive, then I don't have a lot of faith in your rumors.
These posts about price ceilings for a "professional" camera are so discouraging. I want an erstablished manufacturer, in this case Panasonic Broadcast,. to view this market as made up of people who build equipment expenses into the cost of doing business. If you can't recoup 3-4 grand on one or two jobs, you should find another career.
I want a professional camera to be R&D'd to the point that it is totally reliable for the work that I do, and I expect to pay for that because the per item cost of production isn't based on the mass consumer market. For vacation videos go to BestBuy and buy your consumer GH4. I've been hoping for three years that Panasonic would upgrade the AF100, and now, finally, there's hope - and the penny-pincher-wanna-be's are grousing on these forums about a 3-4 thousand dollar tool. Please.
Because they have lower manufacturing, research and development costs, especially on sensors, if they "overlap" several of their models and, if they get lucky, they'll move a lot of boxes a la GH4. Sometimes, this moves from the upscale camera down, sometimes a lower end camera will have 75% of the higher end unit anyway.... Btw, why would Panasonic or any company want to go after a 'low-ball' market?