Eric Coughlin
Veteran
A "little more" than $500 showing here but the basic rig was $500 used on ebay. Took 3 mos. to find all the parts...
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A tarantula!
https://www.youtube.com/watch?v=sZeqHamjyjU#t=08m27s
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A "little more" than $500 showing here but the basic rig was $500 used on ebay. Took 3 mos. to find all the parts...
View attachment 121711
That's actually another issue I have with shoulder mounting; it's more difficult to get the correct height. If the person is significantly taller than you, then you have to awkwardly ask them to spread their legs to lower their height while they talk, which only works if they aren't a whole lot taller than you.
No, no. I only ask the interview subject to spread their legs when it is my wife. I interview my wife often.Ask a subject to spread their legs?? I would never do that and have never done that. I'll even go so far as to say that asking a subject to do that is unprofessional of a camera operator. No subject should be asked to stand in an awkward and potentially embarrassing position just to accommodate the desired background of the DP / Cameraman. I would hope you didn't ask one of those nuns to spread their legs for your shot!
So if you're shoulder mounted and you're filming a 6" 6' guy, and you're 5" 9', what do you do? Just point the camera up at him? That's going to look pretty bad.


Sure, if that's the desired look. Though for a convention video, for example, I don't think it looks good.That's how you shoot for the WWE, lol. Make everyone (or most) look bigger.
It's not as much about background as it is about camera to subject height so the camera can be at their eye-line.
So if you're shoulder mounted and you're filming a 6" 6' guy, and you're 5" 9', what do you do? Just point the camera up at him? That's going to look pretty bad. There's not always an apple box laying around for run n gun shoots.
When the interviewer is part of the shot as in that example, then yes, you can have the camera in-between the height of the interviewer and the interviewee, particularly since the interviewee is looking down at the on-camera interviewer.But the eyeline is usually to an interviewer who is typically in the range of the height of the lens. So even when you interview someone extraordinarily tall that individual is still looking to the height of the lens.
LeBron James is 6'8". But because he is looking at an interviewer who is roughly the height of the lens his eyeline is to the height of the lens-
http://www.youtube.com/watch?v=HU7kokWzb4M&t=1m4s
I think it only professional to avoid asking the subject to do anything that could make them feel awkward or embarrassed. If the person is an ordinary joe they have not likely been on camera much and asking them to stand with their legs spread is only likely to make them feel more uncomfortable. If the subject is someone famous or important they are likely to find it rude for them to be asked to stand in some awkward position simply to accommodate the shot. I'm not going to ask a tall CEO to stand in a goofy position in front of his colleagues and employees. Or ask a tall NFL Quarterback to stand with his legs spread in order to "improve my eyeline". That's crazy, bro! As dumb as that thing where camera ops ask a person to tilt their eyeglasses at an extreme angle. And then the person is all self-conscious about their wearing eyeglasses if not also looking silly in the shot as a result of the temples of their eyeglass frames being way above their ears.
Like being on-camera in the first place. You're already making them feel nervous, often with hot, bright lights shining in their eyes, a bunch of people watching them, multiple cameras, etc. You ask them to sit up straight and not move around too much so you can keep them in frame and in focus. Interview subjects are often uncomfortable just because of the nature of filming an interview. It's the way things are.I think it only professional to avoid asking the subject to do anything that could make them feel awkward or embarrassed.
A "little more" than $500 showing here but the basic rig was $500 used on ebay. Took 3 mos. to find all the parts...
View attachment 121711
I use a Spider Brace 2 for my C100 setup. Don't think I have a photo of it, though this photo is that shoulder mount with a different camera. Very front heavy, but the camera is light enough that I can handle the weight pretty well even for long periods. Main advantage is not having to gerry rig all kinds of stuff to get an external monitor since you can use both the viewfinder or the LCD with that shoulder rig, thus leaving the camera itself pretty bare and light. Not saying it is an ideal setup, but it sure is cheap and simple.
Dear God. And people wonder why those of us that have 'grown-up' shooting with true shoulder mount ENG cameras hate the design of the C300/100's. Yeah, you can put it on your shoulder now, but it's kind of like cutting the back half of the roof and the trunk lid off of a Honda Accord and then calling it a pick-up truck*.
*Then you'd have an el-camino that got 40 mpg.
Have you used the C300 Mark II's LCD screen? It's very bright when you turn the backlight on to +2, much more so than the C300 Mark I or C100 Mark II. Florida sun is pretty bright and it handles it fine in most cases; I can't speak for how bright Australia is. I do have a hoodman for it when I need it, but most of the time I don't need it. Certainly brighter than a SmallHD 502.I think any sort of shoulder mount for any camera is going to be far from optimal without a VCT plate. You're either going to be front-heavy, or you'll forever be adjusting parts to go from shoulder to tripod.
The problem with the CX00's is that they very short which puts the controls - even the focus - at an awkward position behind the operators head. Eric's rig looks much better than most I've seen (thanks to the VCT plate), but I can't see any room for a follow focus and the monitor looks very close to the eye (let alone the lack of a hood or evf which makes it completely unusable outdoors in my part of the world).