How does the scene come out when shot with factory default settings (i.e. not hacked)?
Chris
I will check it tomorrow, I guess it will be worse... even C settings have the problem.
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How does the scene come out when shot with factory default settings (i.e. not hacked)?
Chris
That is not the issue (and not the place - I thought that this settings cause it so I asked here)
In this kind of scene, like when shooting an open window from a dark room, you will get the same. I can think of many examples.
This is the exposure I want, I want the white toaster oven to be well exposed, and the rest to stay dark.
The same image take with stills works great, this is a codec issue and nothing else.
BTW, in mpeg with high bit rate it much better.
This is the exposure I want, I want the white toaster oven to be well exposed, and the rest to stay dark.
In short, this patch combines the average bitrate of the C settings with the reliability of the B settings. [/I]
40Mbps AVCHD High Reliability Patch:
Patches for End Users
. Wrapper
.. Native 24p/25p: unchecked
. AVCHD Compression
.. Video Bitrate FHD/SH: 41000000
.. Video Bitrate H: 24000000
.. Video Bitrate L: 16000000
.. Overall Bitrate: 43000000
. AVCHD GOP Length: unchanged
Patches for Testers
. AVCHD Compression
.. Preset bitrate: 180
.. Preset bitrate 2: 180
The Preset Bitrates determine the bitrate of the initial frame of each video. When using a Lumix stabilized auto-focus lens, the camera's processor has a lot to take care of at the very beginning of a video. I found that lowering the Preset Bitrate gives the camera a healthier safety margin to guard against occasional failures to start recording.Can someone explain to me what the values in preset bitrates correlate too? and why drop it down to 180 instead of the opposite? Just trying to understand it abit more.
hey everyone, i know this statement can be filed under "duh", but do not shoot 720p using these settings with a shutter speed under 60. it just destroys the codec.
Stay tuned, I'm working on something optimized for that.Is there any way to fix this? I love these settings so far but love messing with low light stuff also.
I dunno...I'm not sure if it's good to use shutter speeds that low when in 60p on any cam.
That is not the issue (and not the place - I thought that this settings cause it so I asked here)
In this kind of scene, like when shooting an open window from a dark room, you will get the same. I can think of many examples.
This is the exposure I want, I want the white toaster oven to be well exposed, and the rest to stay dark.
The same image take with stills works great, this is a codec issue and nothing else.
BTW, in mpeg with high bit rate it much better.
I haven't tried these settings, but I've been able to generate posterization with the GH1 easily with any AVCHD setting - stock or hacked. It is easiest to find it in the shadows because more information is "tossed out" in the shadows because the eye is less sensitive to it. I'm pretty sure it is an inherent limitation in the codec.
The two best solutions seem to be
a) use a higher ISO. The extra noise tends to dither the posterization bands a bit.
b) Shoot MJPEG at a higher hacked rate. Of course, this is not good for long format, you can't play the files back in-camera if you've upped the rate significantly, and you are limited to 720P @30 fps. But the posterization is almost eliminated with MJPEG.
It can be useful and also fun
http://vimeo.com/5588719
Just another tool in the box, may aswell mess with it. I tried it 1/2 - 1/30 shutter on some wildlife it isnt working right at all with these settings. Fannys idea should work by placing a working low shutter setting on H? Anyone know a working setting to put into ptool in this mode? Cheers
just to add on my test i was shooting with 20mm at f5 iso 320. So once again i don't think ill ever be shooting at f5 iso 320 at 1/30th. I should re do the test with realistic settings.
With the standard AVCHD recording modes, I suspect there's no reliable way to force high bitrates on low-light scenes that won't fail when confronted with well-lit, high-detail scenes. The AVCHD codec will inevitably reduce its bitrate when encoding dim and/or soft-focus image details.I have been trying to figure out a good setting for 720 at 1/30th shutter that keeps full bitrate and not freeze on pappas chart of death because I find myself shooting alot in low light but want to keep as much bitrate as possible.