My first music video. Tons of mistakes made that I hope to learn from, but I was really keen to use a few Zeiss Contax primes and they were a joy to use. This was practically no budget and I only achieved about 30% of what I wanted to do due to creative differences, but as said, I hope to learn...
From their description, they sound Black Pro Mist like, so I was wondering if anybody has ever used the Hoya Mist Filters? I'm curious about them but would like more information regarding user experience.
So I brought a lav mic, the Sony ECM 77B to use for interviews on my Olympus LS-100. It can be powered via Phantom Power or with the battery.
Now, my knowledge on audio is very very limited, so forgive me, but which would bring out the best quality, phantom power or battery??
Hi guys,
So yeah, I have another documentary coming up. It's a short one, only 15 mins long, but I still want high quality sound. We've managed to secure a field mixer for one day where we will be doing interviews, but the other days we will be limited to my equipment. I recently brought a...
So I am in a sticky situation, to say the least. It's a lengthy story but I am going to keep it as clear, concise and short as possible.
I had been hired to make a documentary for a client who's a friend of a friend. I agreed to this and spent the next 5 months working on this production, going...
Shot a video for 'The Raise The Volume' campaign which was launched in an effort to raise awareness for female chronic pain. Probably my biggest project ever, not particularly pleased with it, but I think it'll do for what it is.
I'm just wondering what people think about the grading a colour space like S-gamut3.cine from scratch with a flat picture profile like SLOG 2 or something. I know for S gamut and Sgamut3 you'd definitely need a technical LUT to convert the colour space, but from what I understand, S-gamut3.cine...
Just wondering if anybody here uses the gamma display assist when shooting in SLOG 2 mode and whether or not you feel it helps you?
I've used it and still find that I have to overexpose it SLOG 2 with it.
Just thought i'd share my first little short film with you all. All shot within an hour. I sort of used it to try and build up skills and such. Only way to improve with filmmaking is to...filmmake, I guess.
Let me know what you all think.
I suspect we won't see an A7S III for awhile since Sony have been talking about 'giving it a rest' for a bit and concentrating on firmware updates.
This leads me to ask, what firmware updates would you guys like to see? What ones are possible/realistic?
I'm not sure how possible this is, but...
Just wondering if it's possible to convincingly match Sony A7S II and Canon 5D Mark III footage at a wedding?? It's looking like i'm going to have to go with my friend who only has a Canon 5D III, but i'm scared about matching footage??
I have an event coming up, a wedding in fact and would require the assistance of another A7S user to film long shots of the wedding ceremony and potentially a little bit of the reception too, but the ceremony is a must.
Needs to have either an A7S or an A7S II.
There will be a payment of £50...
I've had my Tokina 11-16mm for awhile. It's great, but it's DX only. I do use the 16mm portion for my Sony A7S II, and it looks good, but I wonder if i could get a better wide angle lens. I tend to shoot quite wide when it comes to videography, and the Tokina 11-16mm has some distortions. I am...
Gah, wanted to test out the slow mo feature of the A7S II and at the same time, experiment with SLOG, both 2 and 3. SLOG 2 has worked well for me so far outside of the high frame rates....but when I tried it at night time in 100fps mode...quite noisy. I thought that maybe it was because I did it...
Hello all,
So I started the pre preproduction for a documentary I was keen to shoot last autumn (personal project) and it involved a particular company giving me access to it's building and content, which they were very happy to do. Life happened and I went cold fish from the project and got on...