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Hi! I managed to put together a few images from some of the projects I worked on last year. Its a mix of fs7 and s16 once again. My father found a tape at home. On the tape was a song that he wrote and recorded in 1974, when he was 16 years old. Since Im in the works of finishing a film...

Hi! Im trying to find out if you can take a HDMI 4k DCI and/or UHD signal from the FS7, put it into the shogun inferno and record it as 2K DCI or HD 10bit 4:2:2? Ive tried looking in manuals and searching but can´t find a clear answer. Anyone knows?

Just updated my reel with some favorites. Fair bit of fs7 and s16 kodak 250D and 50D. https://vimeo.com/285977801

https://www.dropbox.com/s/h115794vuy459k2/EVA1grade1.jpg?dl=0

Shot in Kuala lumpur this spring with me running around with a stripped down fs7 with a bluetooth mini-speaker in my breastpocket. It was fun! FS7 CINE-EI 4K DCI 23.98P XAVC-I Speedboosted Nikon AF-S 24 1.4G and old school Nikon Pre-AI 50mm f1.4 for the whole shoot. The speed you get from all...

Hi! Im doing a post production course atm where we are gonna be shooting some camera tests in a big camera rental office later this week. I have never had the time to properly try out Slog2 so I thought I might do a big showdown between Slog2 and Slog3 (bot .cine and sgamut3). Will probably...

Okay so I´ve started to use LUTs that does not convert my gamut away from Sgamut3.cine. Basicly I add a gamma curve and saturation to the midtones while desaturating highlights and shadows. I tend to really like the colours there, they feel natural to me. Is there any pitfalls that I might not...

Hello! Im looking for this but without the $$$: http://www.vocas.com/accessories/viewfinder-bracket-for-sony-fs7-kit Something small that keeps the VF level. Anyone knows?

And in EI2000 you get a better lowlight option, pushing the "none-noisy" parts of the image up (without clipping more highlights than in EI1250) but leaving the noisy parts in the the same area as regular slog3:

1. Yesterday I shot some backlit midshot portraits with ppl wearing black shirts, try exposing that without getting noise that ruins compression. The problem is not crushing the blacks in post its the XAVC-I not being able to handle very much in 100fps-mode. So I rather have a clean image that...

Hi, Coming from the F3 (which is still own) Ive had an FS7 and been doing various assignments with it over the past four months now. I like S-gamut3.cine. I don't like Slog3 on the FS7. So I thought: Why not shoot the lovely gamut but find something better for a gamma-curve? I like Slog...

Hi, just got 2 of the Lexar 2933x 128gb cards and updated my FS7 to FW 3.1 I noticed that one of the cards could not be formated in memory slot A but the other could. Then I tried the slot B and it worked. I then tried to record in 4K 50P and filled both cards, but the card that was...

Hi! So Im making my own LUTs for the original Slog and Sgamut found on the F3 and F35. I mostly work with Sony cameras (A7S, F3, FS7, F5 and F55) and want a quick and client-friendly way of getting: 1) a reasonably close match between the cameras and 2) an accurate transfer from recording...

So I shot this music video in august: https://www.youtube.com/watch?v=2GOUeB3dpng&feature=youtu.be We had to pay for the location so we had exactly 8 hours on set including rigging and eating. This meant I had to be pretty fast, working between tripod, dolly and shouldermount. So if you are...

Does the FS7 use an internal downsample to all its benefits in the 1-60P 1080? This would reduce noise, give more accurate color and have a nice and pleasing sharpness if done right. Anyone shooting in 1080? For me it seems impractical to acquire in 4K (storage, editing, downsample in post...

Very nice! You seem to get a solid wooden/golden skin-look but still have very nice blues sneaking into the image. Im interested in your workflow. Do you shoot straight slog in camera or do you tweak anything like colour-matrix? Do you add/remove any sharpening in camera? Right now Im shooting...

Problem solved. F3 with Small HD 502 - comparable in size and wheight with the body of an flamingo (the golden standard)

Just did my first corporate gig with the F3. Bought the Impulz LUTs beforehand and decided on the Kodak 250D. First day I recorded internally but the footage looked a little weak when pushing the grade into saturation so I recorded the rest in ProRes HQ. A lot of mixed lighting, very quick...

A very quick and low-budget shoot. I directed, shot, edited and graded. Had one assistant that could help me set up lights and carry lenses etc. Shot both in prores and internal xdcam. Most of it ended up being internal recording (so nice with small files). The internal files held up very good...

I have just got an F3 and grabbed a superquick shot to test the slog to cineon and the cineon to kodak LUT. After inserting the LUTs I did a layer (in speedgrade) that operates before the LUTs and adjusted the levels so that the shadows and highlights were matching in levels from the original...