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Technical issues aside. I enjoyed this one. I love when the kid trips, that was perfect.
the audio to me was very low and not leveled... but that can be difficult like you said, when doing sound and picture. that's why i went with wireless lavs for 80% of my flick.
Got it!Armisiano, Marlon, sent you both PM's.
I recommend checking out Blue Tundra, Sallow Midwest, and Various Time Lapses first. Blue Tundra and a number of the others got onto the Vimeo HD channel as well as other specific channels, which was really cool. They were all made for a project that was to be in the same vein as Koyaanisqatsi.
I also recommend checking out "Dry Hole" and "Breaking and Entering" for their sound design. Both have this "cold, nordic aesthetic" as someone said that feels very much like Tarkovsky and Sven Nykvist's cinematography. Pretty proud of all of my Koyaanisqatsi-like work.
I watched Breaking and Entering, really enjoyed your scenery - it looks wonderful. Was all that shot raw with just the DVX?
I loved this. The mood and the look were great. It was also funny for me because I have a friend named Caroline, who is an actress, and is skinny with long, dark hair and a similar nose. Great work.
you're on my personal "top three" so I was genuinely surprised not to see you as a finalist. but either way I think you've got something that will shine on the festival circuit.
Wouldn't that be something else?
I'm working on a fresh cut for a festival here in Ohio that we're entering as well as a couple more small festivals just to see what sort of reception we receive at festivals geared toward different types of filmmaking; an experiment of sorts.
I didn't expect to make the finals, though. Thanks for all of the kind words anyway, Zak. I deeply appreciate it.
We've got another short in the works as I type this...something on LGBT and gender bending, which I'm sure won't be everyone's cup of tea here.