Barry_Green
Moderator
The guy's name is Marcus and he's a member of The Blue Man group... (well, the "real" blue men, not PK's Isara dude...)
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Jarred Land said:Thanks for the additional Mirror SalaTar.
Jarred Land said:thanks Zem.. thats what i plan to do.. but we dont have the permission to release the native clips yet, so we cant.
zem said:i see.. i must have been one of the few lucky ones who got the clip in the brief time it was up then![]()
can't quite understand who would want to prevent them from being posted (panasonic?) as the HVX clearly is going to eat the HDV camp for lunch, but i'm sure there's a good reason.
please excuse my snippy comment and congrats again.
++ chris ++
Xenophon said:Hi, this is my first post here
You can use Gabest Media Player Classic. It plays a lot better than the windows media player.
There appears to be some confusion on DVCProHD:
Recording at 720p results in a 960x720 image at 4:2:2, effective color resolution is 480x720 and only uses a small part of the 100mbit/sec rate. 60fps uses the full rate.
Recording at 1080p 30fps (or 24p) results in 1280x1080 image at 4:2:2, effective color resolution is 640x1080 and it uses the full 100mbits/sec rate.
Recording at 1080p 25fps results in 1440x1080 image at 4:2:2, effective color resolution is 720x1080 and it also uses the full 100mbits/sec rate.
The 1080p to 720p path is superior to 720p because we get a true 1280x720 image (from the 1280x1080). If we record at 720p we get only 960x720 which needs 3/4 oversampling (x1,333 horizontally) to get the 1280x720 output which gives a softer image. So the 1080 to 720p is true 4:2:2. The 720p direct is not. The image is much softer. We also get better quality because we downsample from a higher resolution. Many compression artifacts are removed by this process since it is equavalent of filtering.
The cool thing is a 1080p to 480p conversion. This gives an 720x480 image with 640x480 color that has 9:8:8 color sampling! It is effectively 9:8:8 because we have enough Y resolution but have to oversample x1.125 the color differences' resolution. 9:8:8 is almost as good as uncompressed which would be 9:9:9. Try downsampling the 1080p to 480p and examining at 100%. Even after all the compression the image is pixel perfect. No visible artifacts at all.
The PAL version using this method will do 1080p to 576p with 720 horizontal pixels (1440 horizontal pixels are recorded on the format instead of 1280 on the pal). So that will be 4:4:4 and exactly the same quality with uncompressed! There is a chance that it will be 1280 instead of 1440 though. Both 3/4 and 2/3 resampling appear on DVCPROHD specs on the net for Pal. Can't be sure.
Also, all this goes through 6,7:1 compression. But color sampling is equivalent to no color sampling at all on pal.
So, downsampling from 1080p gives SD output of extreme quality. Normal dv has 1/4 the color information and compression artifacts from 5:1 compression. The DVCPROHD compression artifacts at 6,7:1 are actually higher at full res, but are removed by the downsampling to SD process.
btw, I noticed 5 pixels of purple fridging on the original sample with the wide setting on the lens. On both the original clips. We didn't expect perfect lens at this quality did we? The zoomed in scenes on the new sample look perfect to me.