When is Adobe support for FS700 and Odyssey 7q coming?

ashclever said:
As a PC user and being new to 4K and DNG's, what is my option to export the files as a 4K image? There is a way, right? LOL.
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im not sure what you mean exactly.

grab a still from a PP timeline for example? simply press SHIFT+E or click the camera icon on the right side of your controls below the PP timeline.

otherwise open a single *.dng file in photoshop via ACR, and export to whatever format you like.
 
thylor said:
im not sure what you mean exactly.

grab a still from a PP timeline for example? simply press SHIFT+E or click the camera icon on the right side of your controls below the PP timeline.

otherwise open a single *.dng file in photoshop via ACR, and export to whatever format you like.
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I'm sorry, I see how I worded it, it sounds like I am just trying to get a frame to export in full resolution. I mean as a 4K video. With me being on PC I can't make ProRes files and DNxHD only goes to 1080p, correct. What video format exports to 4k for a final video for PC users?
 
In Premiere on a PC set your export to h.264 and match source settings. If you are starting with 4096x2096 video h.264 will output 3968x2088. You can also export 4096x2096 to a .jpg, .tga or .tif, etc. sequence.
 
Thanks Thylor. I actually read that thread before but it ends with that software not quiet pulling it off. I am not stuck on the idea of having to export ProRes but I just didn't know what my other options were. Redjmast, that sounds great, I will give it a try tomorrow for sure. The h.264 is 3968x2088 is good enough for me. I didn't realize that was an option with the h.264 codec but doing MATCH SOURCE SETTINGS with it sounds like the ticket. Thanks!
 
ashclever said:
Thanks Thylor. I actually read that thread before but it ends with that software not quiet pulling it off. I am not stuck on the idea of having to export ProRes but I just didn't know what my other options were. Redjmast, that sounds great, I will give it a try tomorrow for sure. The h.264 is 3968x2088 is good enough for me. I didn't realize that was an option with the h.264 codec but doing MATCH SOURCE SETTINGS with it sounds like the ticket. Thanks!
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Cineform happily supports 4k. Look into Cineform Studio Professional.
 
Well since the files work great in ACR and After Effects, i hope it's a simple solution to just say "read that same thing here in PP!"

I have a feeling we'll get the 4K Pro Res before this is fixed. Which is fine with me.
 
Got this from the Adobe Premiere twitter:
"@jshbckr Hi Josh, thanks for reporting this. Our engineering team is taking a look right now. The photo was very helpful. Thanks! ^Kevin"

So hopefully a fix is coming soon?
 
Peter Garaway from Adobe responded with a nice temporary fix

We are aware of this issue and are working on a fix.This is not ideal but using the Video Limiter effect, set to Chroma, with Chroma Max set to 100% can help the magenta shift in the overexposure area.
Hope this is helpful for now.
 
It's really odd that this issue got through considering CD and Adobe were supposedly working on RAW DNG support together some time ago. Maybe there was a late change on the code and it wasn't tested with the CD RAW files?
 
Pgale said:
It's really odd that this issue got through considering CD and Adobe were supposedly working on RAW DNG support together some time ago. Maybe there was a late change on the code and it wasn't tested with the CD RAW files?
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I'm sure with a release like this, there are a million little pieces that can be tinkered and break something.

Like Mitch said a while back, you can have all of this code that works perfectly and when you implement a new feature, it can cause something else to have an issue. Fix one bug and it introduces five more.
 
Would love to know if Adobe is working on this. Just being able to edit the 7Q RAW in PP would be HUGE. I love the new 4K 120fps RAW. Maybe i could sneak in to Adobe and bump the magenta problem to the top of their work list, Mission Impossible style.
 
Having a PC and using Aodbe... just not having to deal with another editing program with the .edf and .xml files and proxies would be great because time ramping and other effects do not transfer to Resolve. I'd rather just deal with premiere, speedgrade, after effects, and audition. That would make it much faster.
 
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