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From the point of view of the editing system, 24P video works like film. As a result, the Final Cut/Cinema Tools combination can do a good job of handling 24P-originated materials, removing 3:2 and creating native 24-fps media for editing.
But unlike the Film Composer, with the AJA Kona HD or Pinnacle Cinewave cards, Final Cut can capture 24P material directly from an HD deck and allow you to edit full-resolution, high-definition media directly. Of course, HD materials take up a huge amount of disk space and working with HD requires very fast disk arrays. But the ability to do this kind of work is one of the key benefits of Final Cut Pro's unique flexibility.