Marlon Ladd
Veteran
Man, you wanna' see somebody get beat down, huh? Hope you're not disappointed. About the visuals, I really do have some shots in here I'm pretty happy with, so thnx, Puck.
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Well, I might be headed that way. It's either that or LA, but it'll happen over the next year. I have some friends in the ATL and they said I can come down whenever and that there's definately some things poppin' down there. So, we'll see. I'll keep you posted on that.Hey Marlon...lookin' good man...glad we both made it in. Love the grabs as well and the poster is pretty sweet. Looking forward to seeing this one.
Oh and to give you an extremely late answer to your question, Atlanta can be pretty decent but it's also annoying sometimes. Traffic is terrible and some of the people down here are a little too simple but I grew up in the north so it might just be me. As far as filmmaking goes, things are humming, considering we're not New York or L.A. There is a fairly large community here and there seems to be a steady stream of projects. The cool thing about Atlanta is you've got almost every environment here. Need woods? Check. Urban Metropolis? Check. Rural. Suburban. Mountains. Fields. All of those. I mean, it's not Miami but there's even beaches. Only thing missing is desert and arctic.
I enjoyed your film.
I thought you did a very good job establishing the tone and mood - it could maybe be tightened up a bit at the beginning, but that is a small thing.
I especially liked the car crash. It was so simple and yet so effective.
Spoiler Warning: I thought the last shot was very intriguing, with the two of them fading away. It has me questioning everything that came before and I like that.
Well done.
Hey Marlon,
Great job! I really enjoyed your film. Had me guessing all the way through, wondering where it was going. All my guesses were wrong! lol.
* SPOILERS *
I was expecting a secret lover, y'know the usual Noir triangle, Femme Fatale and all that. I was happily mistaken. The ending was a nice twist. I was a little confused though at the end when you faded the characters out... did that mean they were really dead? That was one more twist you slipped in at that end! lol.
Anyway, it looked great. My only critique would be the VFX could have been a little more convincing, but I know the realities of no budget production... :beer:
Thanks, Mike. I always enjoy and appreciate your critiques. Now get yours finished so I can check it out!You are getting much better every Fest. This was shot REALLY well. Some big improvements there. The sound design was pretty good on this one as well.
The twists and turns had me going right up to the end. Really great work.
Solid story.
Loved the mix of the home video thrown in as well. It worked.
Great job.
MAH
Thanks alot for the critique, Blaine. And it's Marlon BTW. Alot of people make that mistake with "Marion" - don't know why. Anyway, I agree with what you said. The continuity thing totally missed me, but that's something I can fix in post with some of the reshoots we have. The effects I'm continuing to work on, but there's only so much you can do with a no budget. I'm trying to find a balance between the creativity and no budget and I think I've figured something out. Yes, the distance from the car might be an issue and I thought about filming a instance where I show him wandering for help and then he passes out, but it may everything may also depend on whether or not you think they've survived or not (in the end). Glad you liked the film though and I appreciate the critique. They seem hard to come by these days for some of us.Marion, overall I liked your film. I did enjoy the story. I thought you set everything up well, perhaps it was a bit slow at times but I was intrigued and wanted to see where you were going with it.
Other things were something of a mixed bag for me, though. The things you did well, you did well. But there were some things that just didn't work for me. The special effects weren't very good at all. I know what you were going for but I don't think you needed them. (Of course then you'd have needed a car that showed damage which might have been hard to obtain.) There were things like how far he was from the car that were a little troubling, when you take into account what was getting ready to happen to the car. Another nitpick is continuity. The first time I saw him with the bits of straw on his face I knew you were in trouble with continuity as the straw (grass) came and went both on the front of him and on his back.
I loved the ending. That pulled it out for me.
Hey there, Marlon. Just watched Trivial.
First off, I must complement you on the fine job you did framing some of your shots. There were a few tossed in there where I actually said, "Hmm...that makes me think of No Country for Old Men." Great job on that!
Thanks. That was definately something I wanted to improve on.
It seems that you and your team made a great effort to tell an intense, atmospheric, sensory-heightening film. On a number of levels, I'd say you accomplished that. That's not to say that this film doesn't have problems, but I really admire what you went for here. It was bold.
Thanks, again.
I'd say that a number of my problems stem from false character behavior and imbalances. The story made perfect sense, but as I said, behaviors seemed erratic. For instance, the ending really threw me for a loop. I imagined a number of rationalizations for what the ending meant, but it just felt false to me. I also think that there are just little oddities (like the man, after looking around for so long, did NOT notice the burning car) that cropped up along the way.
I see what you're saying, but if you really watch closely, the car was always there. He just never turned around. In a perfect world he probably would, but then that just would have ruined everything and made the movie 30 seconds. LOL. However, that is something I will go back and look at and I think tightening up the beginning with better pacing will fix that.
It was evident that some moments with the actors were awkward, but they pulled through. I thought the phone conversation didn't go anyway, but it could certainly be seen as a simple wrong dialing, and in the end, one realizes that it was a clever and realistic way to draw suspense. Although, if seen through that filter, many might suspect that it's simply a plot device with no motivation. It's hard to tell.
Well, I don't know how it could be seen as a wrong dialing, because that conversation with his brother is what really helps jog his memory back and that was the motivation. If that wasn't clear, I need to know why, because that may be a problem.
There are other things I could really nit-pick as far as development, structure, and presentation go, but a fair amount is aesthetic and you, of course, have the final say anyway.
So in summation, you certainly did a fine job maintaining the theme of the festival while even giving the audience a bit of a happy ending. I can certainly appreciate that.
Nice job! :beer:
Thanks so much, Lawsuit for the critique. These are very, very helpful and I can always appreciate one that is so in-depth. The fact is, if the movie didn't leave any kind of impression you probably wouldn't have taken the time to provide a detailed critique and I can appreciate that. I've heard some good things about your film and plan to check that out as well.
Watched this film. A lot of good angles in this one and one pretty actress!
I love the shot of him getting up from the field with the sky in the background, I was actually waiting for a Michael Bay style shot but I was happy that you didn't do it. The shot looks really good man!
Being said that, that sequence as he wakes up in the field is a bit too long and I didn't think I see his bruises on his head with blood as he wakes up but I saw it as he already stood up in the field... continuity issue?
I did not understand the conversation on the phone he had and the explosion in the car is totally not needed as it turned out not good at all... you could have gone to a junk yard and shoot that scene with a ruined car instead, it'd be much better and still effective... imo
Totally dig the hand in hand shot at the end. Thanks for sharing... I enjoyed it for the most part!
Thanks, for watching, vnguyen. I appreciate the feedback. Well, there was always blood in his (my) head you just may not have been able to see it from that angle. And yeah, him waking up in the field and not turning around is kind of like watching a scary movie and a person decides to go investigate a noise, when in real life they would do something else and then nobody would die and then it would end up being a comedy or something.Watched this film. A lot of good angles in this one and one pretty actress!
I love the shot of him getting up from the field with the sky in the background, I was actually waiting for a Michael Bay style shot but I was happy that you didn't do it. The shot looks really good man!
Being said that, that sequence as he wakes up in the field is a bit too long and I didn't think I see his bruises on his head with blood as he wakes up but I saw it as he already stood up in the field... continuity issue?
I did not understand the conversation on the phone he had and the explosion in the car is totally not needed as it turned out not good at all... you could have gone to a junk yard and shoot that scene with a ruined car instead, it'd be much better and still effective... imo
Totally dig the hand in hand shot at the end. Thanks for sharing... I enjoyed it for the most part!
This was one of first films I watched. Sorry for the late comments.
the only critques I have are pretty much what the others have said about the VFX. Take a look at my Blood splatter and I really have no room to talk:beer:
But I really enjoyed this one. I thought the car crash was great. I brought that part back a few times. It was simple but it worked flawlessly. I like the lead the actor I think he's really good.
I also thought the framing was spot-on. and nothing else reallly bothered me at all.
Great job!
Did I type Marion? zheesh. I feel like such and idiot because I knew it was Marlon. Sorry about that.And it's Marlon BTW.