SHORT: "Touch" - A Short Film by Drew Ott

Stephen Mick

Totally Usable
Reserved for poster.

CREW
Writer/Director: Drew Ott
Producer: Stephen Mick
Co-Producer: Brian Morgan
1st Asst. Director: Michelle Millette
Director of Photography: Taylor Rudd
1st Asst. Camera: Jeffrey Buras
2nd Asst. Camera: John Anderson
Gaffer: Brandon Torres
Key Grip: Adam Hendrickson
Location Sound: Scott Snyder / Matthew Dring
Makeup / Hair: Pilar Davila
Production Design: Chris Curl
Art Director: Benjamin Ploughman
Assistant to the Director: Justin White
Script Supervisor: Michael Steves
Key Set PA: Jaime Orta
PA: Tina Bryan
PA: Sushant Sethi
PA: Michael Horner


CAST
Peter: Alex Cogburn
Mom: Pamela Weaver
Christine: Gidget White
Waitress: Danielle Ploeger​
 
Reserved for synopsis.

Production Details

"Touch" is being filmed on location in Austin, Texas. The short is being filmed on the Sony FS-100, with a combination of lenses including the RED Pro Zoom 18-50, Zeiss CP.1 Compact Primes, and various Nikon still lenses.

For those interested in further camera gear "geekage," a full production equipment breakdown follows:
- Sony FS-100
- MTF PL to E-Mount Adapter
- RED Pro Zoom 18-50 T3 Lens
- Zeiss CP.1 Compact Prime Lens Set (18mm, 25mm, 28mm, 35mm, 50mm and 85mm)
- Novoflex Nikon to E-Mount Adapter
- Nikon Micro-Nikkor 55mm f2.8 Lens
- Lensbaby Tilt Transformer Adapter
- O'Connor O-Box Matte Box
- RedRock Follow Focus
- Zacuto EVF
- TVLogic 5.6" HD-SDI Monitor
- Berkey System Shoulder Rig and Support Equipment
(more to come as I remember)

Extra special thanks to Barry Green and Timur Civan for providing the Zeiss CP.1 lens set, GEAR Rentals of Austin (grip equipment) and Rawhide Pictures of El Paso (generator rental). Special thanks go out to Wildcreek Apartments, the City of Austin Public Library and Buenos Aires Cafe for location support. One final shout-out goes to our friends at Sprouts, Chipotle, Austin's Pizza, FireBowl Cafe, Samurai Sam's, Einstein's Bagels and Kolache Factory for so generously helping to feed of killer crew.
 
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