Howdy all. I've been shooting with lots of C100's (mk 1 and 2) for several years now, and I've occasionally used C300's. My boss just made my year by agreeing to the purchase of a C300 mk2!
Any tips you guys could share? Any consensus on picture profiles so far? Is it true you an only use flavors of c-log in 4K?
We do so much work so fast that I doubt we'll actually shoot much in 4K, at least for now. I'm excited to try the 2K 12-bit modes, but that also appears to be (understandably) data intensive.
Looks like it can also record in a similar format to the C300 mk1 at 50Mbps. But here it is 4:2:2 10-bit. That will yield a hell of a lot longer recording time on these pricey CFast cards. I know it's a bit silly to be focusing on the lowest quality setting (aside from the SD proxy files), but when I'm doing something long-form, these 50Mbps files should be a decent step up from the C100's AVCHD files, right? Anyone shoot in that mode at all?
Any tips you guys could share? Any consensus on picture profiles so far? Is it true you an only use flavors of c-log in 4K?
We do so much work so fast that I doubt we'll actually shoot much in 4K, at least for now. I'm excited to try the 2K 12-bit modes, but that also appears to be (understandably) data intensive.
Looks like it can also record in a similar format to the C300 mk1 at 50Mbps. But here it is 4:2:2 10-bit. That will yield a hell of a lot longer recording time on these pricey CFast cards. I know it's a bit silly to be focusing on the lowest quality setting (aside from the SD proxy files), but when I'm doing something long-form, these 50Mbps files should be a decent step up from the C100's AVCHD files, right? Anyone shoot in that mode at all?