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Bloom shoots well, even if it's not a style you prefer. Why bash the guy?
Because there are some folks willing to test prototype for free using techniques and equipment used when making real films.
Its not bashing, i just prefere to see first footage from someone else with proper equipment.
Thats how i feel,can i feel it that way?
In still mode, maybe, but in video mode the 7D doesn't get anywhere NEAR those numbers. It'd be lucky to eke out 1.4k horizontally.
Because there are some folks willing to test prototype for free using techniques and equipment used when making real films.
Its not bashing, i just prefere to see first footage from someone else with proper equipment.
Thats how i feel,can i feel it that way?
sure, feeling that way is fine, but speaking it out loud in a public forum makes you sound like a jerk.
Red themselves will give you the 'proper' footage, let Bloom give you the 'what the rest of us will be shooting' footage.
Cool but its raw,its predictable how charts would look like yes ?
Personally I think the Scarlet will lead to a direct price drop on EX1s and 5DIIs. I think a lot of people will be selling off these cams to grab the new Scarlets -- which will be a huge impact on the indie community overall.
No matter what, Scarlet = awesome.
No matter what, Scarlet = expensive
I guess it depends on what you compare it to.
Again, keeping in mind that it doesn't bother me in the least that it's a 2/3" sensor... When, I look at the specs, it looks stupidly cheap to me. One man's expensive, is another man's bargain I guess.
but, then... I wouldn't compare it to a 7d in terms of features and performance, so a 7d is not my benchmark for determining the "value" of a Scarlet.
Well, resolution is fixed -- it can resolve what it can resolve. But aliasing is "false resolution" -- and that is what leads to the variable results.I'm guessing the 7D and other video DSLRs have "variable resolution" depending on how much aliasing, angle to pixels binning, how much false detail etc. is going on in a given frame, focal length, line angle etc.
Yeah, but -- it also does 150fps! It also takes stereo input. It also has the ability to send a separate monitor output while keeping the onboard working. Plus pure resolution, no aliasing, more dynamic range, etc.So the 2/3" Scarlet should win the resolution battle - but it would be a much better battle if the basic kit was $3000 not $4750. That's not a revolution, that's just competition.
Not just charts, but footage too. Assuming it operates similarly to the Red One, and I have no reason to think it doesn't.Cool but its raw,its predictable how charts would look like yes ?
When, I look at the specs, it looks stupidly cheap to me. One man's expensive, is another man's bargain I guess.
Not necessarily! Depends on what it actually does (which, of course, we still don't know the full extent) and what it would cost to do that with other equipment.No matter what, Scarlet = expensive
Whoa nelly there -- that's a very misleading statement.Somone mentioned 4:2:2 color. the Scarlet will output 4:4:4 in raw mode.