rolling shutter and jello DSLR

blastdvx said:
That was an answer to LEE when he said some like professional use these CAM and unprofessionals complain about R-S.
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No, I said the very opposite, professionals complain about RS (but know how to deal with the issue) - and non-proffesionals tend not to care too much.
 
Terry_Lasater said:
Don't know what camera, but...

propellershuttereffect.jpg
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Here is a helicopter showing the same problem that I shot last year.

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I AGREE
 
Lee Wilson said:
No, I said the very opposite, professionals complain about RS (but know how to deal with the issue) - and non-proffesionals tend not to care too much.
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Lee sorry to quote you wrong but why would a professional buy these CAM is the film industry so bad they can not afford proper one?

Barry_Green any CCD CAM you can point me too that will do an ok job for music video no audio in will be needed. Thank you.
 
blastdvx said:
Lee sorry to quote you wrong but why would a professional buy these CAM
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Unparalleled low light ability, a selective and easy to achieve filmic shallow depth of field, low noise, fantastic image quality, form factor, inexpensive lens selection, relatively trivial workflow, relative lack of expense . . . and so on.


blastdvx said:
. . . . is the film industry so bad they can not afford proper one?
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Which camera would you consider a proper one ?
 
blastdvx said:
Lee sorry to quote you wrong but why would a professional buy these CAM is the film industry so bad they can not afford proper one?
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Check out the major feature films and TV shows that have been and will be shot on the HDSLRs. They chose them for a reason; it has nothing to do with "looking professional" or using "proper ones" on their set. All that matters is selecting the right tool for a job and getting the best image possible. One of the most noteworthy characteristics of the HDSRLs is, as others have said, the size. Being able to shove the 5DII into a crevice of rubble on the set of House, M.D., or being able to disguise the 1DIV in a jacket while walking through the slums of Mumbai, is invaluable.
 
Today i got my self a D3100 I need some lens ideas now. Thanks you guys for helping me getting it out my head that there is no perfect CAM. I will work with the limits and get the best videos i can, thanks again every one. I need a need some lens now the AF-S DX 35MM looked good to me so far what do you guys think about it?
 
So i took the D3100 back and got the t2i instead. I like this one more it has less R-S and the image seem to be sharper. I would like to get a basic DOF lens some thing like the canon EF 50mm f/1.8 II Lens would this be a good start?
 
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