CinemaElectronika
Well-known member
This will be the option from Movcam...
http://www.bandpro.de/en/content/movcam-odyssey-7q-power-bracket
http://www.bandpro.de/en/content/movcam-odyssey-7q-power-bracket
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This will be the option from Movcam...
http://www.bandpro.de/en/content/movcam-odyssey-7q-power-bracket
Personally I still don't think you can beat an articulating arm. Folds away neatly, attached to camera, you can position it anywhere. Works extremely well for me. Sure, it's a bit awkward to attach but used to it now and I've had some dense nylon washers made up for it, which means mounting is solid.
My search continues but i think the biggest problem with most rigs is that we're monitoring off a big screen rather than a good EVF, i keep looking for EVFs but not really seen anything perfect. Now i'm used to all the info that the O7Q offers and can't do without that. I'm under the impression that running SDI into the O7Q and then HDMI out to an EVF adds quite a bit of latency to make monitoring more awkward. I'd seen some conversations about that but not tested it myself, so i can't say for sure
cheers
Paul
The issue here is how do you wish to use your Odyssey? Do you want it as a viewfinder monitor so that it is viewable when operating on the shoulder or do you want to operate off it from a tripod? From the shoulder it means that you'll need to get it up front and not in the profile of the camera but instead next to it. I would suggest using whatever mounting system appears nice but then putting a quick release connection at the end on the Odyssey so that you can quickly pop it off for packing in the case. If you have an EVF or are otherwise not planning to rely on the Odyssey for shoulder mount viewing, then I feel the best place for it is likely on rails at the back of the camera. Placed here it can work great for tripod use while still being conveniently located for stuffing in the bag without resetting. That's part of what I like about the Vocas solution, but you could replicate that with rigs from other companies as well.I am doing a lot of sorting here. This is a complicated set of interlocked problems. One factor that hasn't been mentioned much is knockdown and storage. Say I am doing street photography. A key factor is "How fast can I pull equipment out of a bag and assemble it? And how fast can it go back in the bag?" And a related problem is "How much room does it take in the bag?" A lot of the solutions I've seen (and tested) don't look like they store very small. There are all kinds of rods and connectors that don't fold well. I'm curious if anyone has come up with good solutions along these lines.
Now this is interesting - the Movcam O7Q mounting plate with no battery. Looks like the battery plate might be removable then, meaning more options (adding it when needed). Personally, a V Lock battery might be too big and heavy for camera mounting use - but a cheap mounting plate with rosettes and rosette extension arm and rail mount would be great. Pros and cons compared to a friction/clutch system for dynamic repositioning though. Rosette obviously locks in place.
http://cvp.com/index.php?t=product/movcam_306-0218
Anyone know if there's such a thing as an Arri rosette friction plate arrangement?
the other beef with the power plate is that the power cables seem very expensive (4 pin lemo to FS700 is around £100!). I couldn't see if Movcam supply a Lemo to O7Q cable either - waiting on confirmation.
It seems that the CD battery plate screw through the movcam plate and into the O7Q yes?
the other battery fixings are for the V Lock and AB battery options I would have thought.
I'm using small rig and kamerar pieces for the moment to position the 7q.
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