kinvermark
New member
I wasn't having much luck using the cc tools in my NLE or Panasonic's LUT, so I tried running some test files though GoPro studio and found this works very well.
Much easier to get proper contrast and saturation without noticeable magenta/cyan blotches (they are present in the footage - I can see them clearly when using Panasonic's LUT). Also, it seems like the cineform files can stand a lot more manipulaton before they start to break up.
Anyone else tried this workflow?
Much easier to get proper contrast and saturation without noticeable magenta/cyan blotches (they are present in the footage - I can see them clearly when using Panasonic's LUT). Also, it seems like the cineform files can stand a lot more manipulaton before they start to break up.
Anyone else tried this workflow?