Phillip Bloom buys an Epic

[Philip Goetz]

I think they give emmys for test films now...

 

[Rick Burnett]

I think they give emmys for test films now...

I'm hoping to get one for my "FS100 Skew Test" I really think the emotional content is striking.

 

[Kholi]

I think they give emmys for test films now...

This post, combined with the straight-faced presentation of your avatar, cracked me the hades up.

Become win.

 

[LiamR]

well im going to break the trend of who Phillip Bloom is because I know who he is and that Wooden Boat video was very well done, good work and looking forward to seeing things down the line to come!!

 

[AlexMacP]

Phillip is a teacher as well as a filmmaker. He travels all over the world helping people understand how to use DSLR's for filmmaking. What a great gig. He obviously is pretty good at it to make a living doing it.
My father is a college art teacher and he loves showing and opening peoples eyes to art and how to draw, paint and understand color. He also has made a good living doing it. Its his passion as well for Mr. Bloom. Why should people have such negative feelings towards him? Oh because he's good at it. Of course. :happy:

Well said.
I love his work because on top of being informative... it's entertaining!

 

[TheReverend]

For me, Philip Bloom has been instrumental in helping me learn about cameras and the craft of filmmaking. Our church decided to explore heavily in video making and looked to me to research it and figure it all out. Two things helped me learn the info I needed to get a camera and start a video department; DVXUser and Philip Bloom.

I can't remember how many decisions i had to make and Bloom's educated, honest, and experienced opinions gave me so much information and wisdom to make the right choices for our situation. His camera reviews were invaluable. And I didn't even always agree with him, but I walked away knowing more, and understanding what I needed and why. We picked up a DVX100b at first, mostly because it fit our price range. That camera is still a great SD 16:9 workhorse and I don't think we'll ever sell it. After that, we moved to Hpx170's despite Philip Bloom's review stating that he wasn't a big fan. Still glad for his review and super happy with our 170 footage.

I'm indebted to the man in a real way for how much he has contributed to my understanding of how cameras work and the art of shooting film. He has been a self-less contributor to the Internet video community, and that has now developed into his being able to do what he loves, keep sharing, and making enough money to be able to buy himself a RED EPIC. I see NOTHING wrong with this, and in fact am super happy to see Philip get one of these cams. I'm sure it's a dream camera! Like RAW DSLR shooting, but in video, at 2k+, up to 300fps I still have never been able to give the man a cent despite all the ways he has helped me learn. If people say anything bad about him in terms of "exploiting" or "selling" something, the man's never sold out or been dishonest, and such derogatory statements are ignorant, malicious drivel.

If you haven't watched his two-part review of the AF100, FS100, and the F3, do yourself a favor and check it out. It'll show that this guy is the real deal, just trying to help people out by giving info an his opinion, and all while being grateful that he can do what he loves and make a living at it. Cheers Philip, you are making a good positive difference!

 

[HKO]

For me, Philip Bloom has been instrumental in helping me learn about cameras and the craft of filmmaking. Our church decided to explore heavily in video making and looked to me to research it and figure it all out. Two things helped me learn the info I needed to get a camera and start a video department; DVXUser and Philip Bloom.

I can't remember how many decisions i had to make and Bloom's educated, honest, and experienced opinions gave me so much information and wisdom to make the right choices for our situation. His camera reviews were invaluable. And I didn't even always agree with him, but I walked away knowing more, and understanding what I needed and why. We picked up a DVX100b at first, mostly because it fit our price range. That camera is still a great SD 16:9 workhorse and I don't think we'll ever sell it. After that, we moved to Hpx170's despite Philip Bloom's review stating that he wasn't a big fan. Still glad for his review and super happy with our 170 footage.

I'm indebted to the man in a real way for how much he has contributed to my understanding of how cameras work and the art of shooting film. He has been a self-less contributor to the Internet video community, and that has now developed into his being able to do what he loves, keep sharing, and making enough money to be able to buy himself a RED EPIC. I see NOTHING wrong with this, and in fact am super happy to see Philip get one of these cams. I'm sure it's a dream camera! Like RAW DSLR shooting, but in video, at 2k+, up to 300fps I still have never been able to give the man a cent despite all the ways he has helped me learn. If people say anything bad about him in terms of "exploiting" or "selling" something, the man's never sold out or been dishonest, and such derogatory statements are ignorant, malicious drivel.

If you haven't watched his two-part review of the AF100, FS100, and the F3, do yourself a favor and check it out. It'll show that this guy is the real deal, just trying to help people out by giving info an his opinion, and all while being grateful that he can do what he loves and make a living at it. Cheers Philip, you are making a good positive difference!

That's a great post :happy:

 

[groveChuck]

There once was a world, before motion DSLRs, filled with small sensor cameras. Most were 60i, the DVX, and then the HVX200 were 24p.
But all these cameras had very, very deep depth of field. People asked themselves (and each other), "Why does this look like video and not film?"

Well, along came 35mm lens adapters, and suddenly, people were getting more organic, shallow DOF images with their cameras.
And one of the early proponents of this technology, (who used an EX1 and Letus), who made videos explaining the principles of depth of field to the yearning, learning masses, was Phillip Bloom.

Who is Phillip Bloom?
http://en.wikipedia.org/wiki/Philip_Bloom_(filmmaker)

A teacher
A filmmaker
An equipment tester
A funny guy

He even has an Ethics Statement on his site:

I will continue to remain as impartial as ever. Being an affiliate of Magic Bullet doesn’t stop me saying Color is great! So being an affiliate won’t stop me talking about other competitive products. When I do any review of a products that could be a conflict of interests due to me being affiliates with certain companies then I will state so at the beginning of it. Also if I am given anything to review (which I rarely am) then again I will state so in the beginning of the review. Just by someone giving me a piece of gear to review will in now way mean they will get a glowing recommendation. What is the point? If I recommend something that sucks then I will be eaten alive by you lot! Every ad on my site is for something I recommend and use myself.
Am i biased? Absolutely! But in a good way. I rave about stuff I love, that is all. Have you even caught me raving about something I didn’t like? Never and I never will! But please take any review as my personal opinion as that is what it is. Others will agree and disagree. That is the nature of the beast.

His camera tests, whether images in a London park, or weaving in interviews of a boatbuilder, are films.
He gets out, captures images, and tells a story with images, music, and sometimes, interviews.

He has a great eye, and captures a sense of place that he conveys through his short films.
And he doesn't have to make bad indie short films to be considered a filmmaker- he does his thing (along with all his paid work), and is happy to share what he learns along the way.

 

[bgundu]

Awesome!

There once was a world, before motion DSLRs, filled with small sensor cameras. Most were 60i, the DVX, and then the HVX200 were 24p.But all these cameras had very, very deep depth of field. People asked themselves (and each other), "Why does this look like video and not film?"Well, along came 35mm lens adapters, and suddenly, people were getting more organic, shallow DOF images with their cameras.And one of the early proponents of this technology, (who used an EX1 and Letus), who made videos explaining the principles of depth of field to the yearning, learning masses, was Phillip Bloom.Who is Phillip Bloom?http://en.wikipedia.org/wiki/Philip_Bloom_(filmmaker)A teacherA filmmakerAn equipment testerA funny guyHe even has an Ethics Statement on his site:His camera tests, whether images in a London park, or weaving in interviews of a boatbuilder, are films. He gets out, captures images, and tells a story with images, music, and sometimes, interviews.He has a great eye, and captures a sense of place that he conveys through his short films.And he doesn't have to make bad indie short films to be considered a filmmaker- he does his thing (along with all his paid work), and is happy to share what he learns along the way.

 

[philip bloom]

For me, Philip Bloom has been instrumental in helping me learn about cameras and the craft of filmmaking. Our church decided to explore heavily in video making and looked to me to research it and figure it all out. Two things helped me learn the info I needed to get a camera and start a video department; DVXUser and Philip Bloom.I can't remember how many decisions i had to make and Bloom's educated, honest, and experienced opinions gave me so much information and wisdom to make the right choices for our situation. His camera reviews were invaluable. And I didn't even always agree with him, but I walked away knowing more, and understanding what I needed and why. We picked up a DVX100b at first, mostly because it fit our price range. That camera is still a great SD 16:9 workhorse and I don't think we'll ever sell it. After that, we moved to Hpx170's despite Philip Bloom's review stating that he wasn't a big fan. Still glad for his review and super happy with our 170 footage.I'm indebted to the man in a real way for how much he has contributed to my understanding of how cameras work and the art of shooting film. He has been a self-less contributor to the Internet video community, and that has now developed into his being able to do what he loves, keep sharing, and making enough money to be able to buy himself a RED EPIC. I see NOTHING wrong with this, and in fact am super happy to see Philip get one of these cams. I'm sure it's a dream camera! Like RAW DSLR shooting, but in video, at 2k+, up to 300fps I still have never been able to give the man a cent despite all the ways he has helped me learn. If people say anything bad about him in terms of "exploiting" or "selling" something, the man's never sold out or been dishonest, and such derogatory statements are ignorant, malicious drivel.If you haven't watched his two-part review of the AF100, FS100, and the F3, do yourself a favor and check it out. It'll show that this guy is the real deal, just trying to help people out by giving info an his opinion, and all while being grateful that he can do what he loves and make a living at it. Cheers Philip, you are making a good positive difference!

Thanks for this TheReverendComing here can be very disheartening for me which is why I rarely do.

 

[SPZ]

Philip, I posted a question to you on your F3 Slog post in the comments. I would really like your input on that. Posted it for about 2 weeks now. Cheers!

 

[TheReverend]

Thanks for this TheReverendComing here can be very disheartening for me which is why I rarely do.

To me, it's a forum so trolls and uncaring people abound. It's kinda the territory and for me I take the good and spit out the bones. As much as you can, stay above the fray, let the haters do their thing and don't mess with em. You do great stuff for people and you aren't thanked enough.I hope you really enjoy that Epic. What a treat! Be sure to do a little thing on this cam when you get it in. There are many people who would love to share in your joy!

 

[Guest]

I was doing a search for recommended documentary cameras and ended up landing on this thread. Oddly enough, yesterday Bloom had mentioned on twitter that he let go of the Epic.


red by onesielaff, on Flickr

 

[Ian-T]

For me, Philip Bloom has been instrumental in helping me learn about cameras and the craft of filmmaking. Our church decided to explore heavily in video making and looked to me to research it and figure it all out. Two things helped me learn the info I needed to get a camera and start a video department; DVXUser and Philip Bloom.

I can't remember how many decisions i had to make and Bloom's educated, honest, and experienced opinions gave me so much information and wisdom to make the right choices for our situation. His camera reviews were invaluable. And I didn't even always agree with him, but I walked away knowing more, and understanding what I needed and why. We picked up a DVX100b at first, mostly because it fit our price range. That camera is still a great SD 16:9 workhorse and I don't think we'll ever sell it. After that, we moved to Hpx170's despite Philip Bloom's review stating that he wasn't a big fan. Still glad for his review and super happy with our 170 footage.

I'm indebted to the man in a real way for how much he has contributed to my understanding of how cameras work and the art of shooting film. He has been a self-less contributor to the Internet video community, and that has now developed into his being able to do what he loves, keep sharing, and making enough money to be able to buy himself a RED EPIC. I see NOTHING wrong with this, and in fact am super happy to see Philip get one of these cams. I'm sure it's a dream camera! Like RAW DSLR shooting, but in video, at 2k+, up to 300fps I still have never been able to give the man a cent despite all the ways he has helped me learn. If people say anything bad about him in terms of "exploiting" or "selling" something, the man's never sold out or been dishonest, and such derogatory statements are ignorant, malicious drivel.

If you haven't watched his two-part review of the AF100, FS100, and the F3, do yourself a favor and check it out. It'll show that this guy is the real deal, just trying to help people out by giving info an his opinion, and all while being grateful that he can do what he loves and make a living at it. Cheers Philip, you are making a good positive difference!

Just came accross this post. Nice.

I was doing a search for recommended documentary cameras and ended up landing on this thread. Oddly enough, yesterday Bloom had mentioned on twitter that he let go of the Epic.


red by onesielaff, on Flickr

Ha ha...that about sums it all up.