squig
Veteran
Wow. I just got out of the emergency room after being pretty much dead for a few days and this thread is STILL ongoing?
Give it a rest already.
All this stress over an inanimate object is ridiculous.
you what?
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Wow. I just got out of the emergency room after being pretty much dead for a few days and this thread is STILL ongoing?
Give it a rest already.
All this stress over an inanimate object is ridiculous.
What happened to you? You know that I thought today something may have happened to Kholi because he hasn't been around for a while. You OK? You had the "flu"?
Well, I am going to say my last bit on the subject. If you really want and can afford the GH1 get it. If you complain about the bit rate, jello, crippled codec, mud, etc., etc., then simply don't get it. Is that simple. We are all grown ups and should know what decisions to make and to live with them. As far as I am concerned I can't wait to get my GH1, mud or not I will have fun with it first and second I am gonna make a lot of money with it as well. Thanks Panasonic, you are on the right track.
Again, I never said fast pans were a problem - but medium speed pans (like the footage CS posted) are the problem. But when you do fast or whip pans, you usually shoot slower shutter speed/angle.
- No mud at night. I managed to shoot a whole short ambient piece at a night market on a fluid head pan Velbon the other day without encountering the problem in 1080 24p. Lots of dark static shots and a few occasional slow pans.
No, No, No, No and yes.the pal version has better compression from the ntsc at 1920?
is this correct? because of the difference of 50i 60i (more frames for the ntsc model at the same bitrate)
is this correct?
the pal model also shows mud?
Commanderspike, it would be real cool to see some of that video at night you are talking about....at your convenience of course.
If the GH1 has virtually no "mud" during pans at night that tells you that there must be some camera setting problems for daylight at play.
...
http://www.vimeo.com/5072914Its in Vimeo. Click his other video and is there.