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43Rumors reposts Vitaliy K. "behind the IBC'16 scenes" gossip that GH5 and EM-1 MKII will share a more than a few components but that MKII will only have the external 10-bit recording. Which means that GH5 will have some pricing power over it. Which could mean that the $2,000 price talk isn't farfetched.
Personally, I still see it as ~ $1,600 for EM-1 MKII and ~ $1,800 for GH5 but I may indeed be too low.
Probably a rumor created by Sony's people. (a rim shot)Vitaliy also wrote in a followup comment:
"Actual expected time for first batch shipping is from March 2017 to more real August 2017."
I'd consider every XT2 unit sold as a GH5 customer lost.
I looked at the XT-2, out of curiosity.
It's off the table for me, not accommodating the growing collection of MFT lenses I own. I suspect many people feel the same.
I looked at the XT-2, out of curiosity.
It's off the table for me, not accommodating the growing collection of MFT lenses I own. I suspect many people feel the same.
He even spoke about an "hybrid" stabilization system with both sensor AND optical stabilization (probably with Panasonic own lenses) working together and driven by "powerful algorithms".
Of course. But - with prices for both gear and lenses falling and some major companies crippling their product quite heavily, it makes sense for a lot of shooters not to be a slave to one particular system. Additionally, with the used market quite healthy, switching ecosystems is easier than ever. Samsung couldn't convince too many folks to jump ship because there was a shortage of glass using their mount. Fuji has plenty of native glass.I looked at the XT-2, out of curiosity.
It's off the table for me, not accommodating the growing collection of MFT lenses I own. I suspect many people feel the same.
But, as has been mentioned before, not everyone is going to grade their footage and Fuji has some several interesting baked-in options.Not to even mention that it appears to be a much lower spec color space for internal recording.
This price - or any price, for that matter - doesn't jive with the "ship in August, 2017" meme. And so one has to place odds on a behind the scenes rumor vs. the "42nd St" store of dubious reputation. One may as well drop some tea leaves into a pot of coffee ...$1,799 --> take it for what it's worth...
http://www.43rumors.com/42photo-lists-the-gh5-for-1799-and-the-e-m1ii-for-1499/
He also had some other "suggestions" in that article. Which makes me think that the biggest discussion in Panasonic offices is deciding on the feature bundle and the price that a camera with these features will cost. They, obviously, have the technology. They just want to make sure they maximize their income stream by hitting the sweet spot in this niche.That number seemed to ring a bell for me, and interestingly enough Andrew threw that figure out back in February...
http://www.eoshd.com/2016/02/time-to-step-up-panasonic-gh5-must-go-super-35mm-to-compete-in-2016/
I know many Canon, Sony and Nikon shooters who were happy to move over.
Dual OS is present in two Panasonic cameras already. Works very well on the GX80/85
Dual IS is present in two Panasonic cameras already. Works very well on the GX80/85
OIS is the best option for more professional use. Adding the inferior option (IBIS) to the GH5 would only hinder getting OIS implemented into more lenses, which is what is really needed and wanted here.
Imaging the upcoming line of Sigma Cinema lenses, including the venerable 18-35, with OIS as good as the Lumix 14-140. Damn, what a nice lens that would be.
If GH5 is strongly intended for video use, then in-body image stabilization is a real plus for all cinema lenses.
43Rumours sez 5-Axis.
(but it will be released March through August one axis at a time)