waefre
Well-known member
Tic....
You keep using that word.. I do not think it means what you think it means.
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Tic....
Maybe we are remembering differently but all I ever remember hearing was that they can receive the 4K RAW signal but they wouldn't be capturing it. I think they were very careful about never saying that they would capture 4K RAW. I think many people on this forum would agree that up until a month ago the only way to capture 4K RAW from the FS700 was with the Sony recorder/interface.
Some interesting talk going on here. Sure hope I can give you guys something else to discuss really soon.
Some interesting talk going on here. Sure hope I can give you guys something else to discuss really soon.
Let's try a guess:
Deployment starts the day, when some high-ranked person from Apple hits the "Sent eMail"-button?
As Mitch cannot confirm completion, we have to face additional delay. Tick tock goes the clock.
I do not understand why someone, working professional in this business, is willing to take any risks. Go, rent an F5 for this shoot., if this pays your bills and feeds your wife. Do not never ever use equipment, that is under development, if your vauable costumer expects a reliable service. Even, if there is a Firmware arriving days before your shoot.
That rules out the Epic, F55, F5 etc... They're all under constant development. I will rent what I need to get the job done. That might mean I end up losing money and that might also mean I end up not using the equipment that I've just invested thousands of pounds into. So understandably I'm not going to be too happy about it.
C'mon Mitch, I am so excited for this firmware, it must be close!
Well, for me Wednesday night is the last day, as I'm going out to Arizona on Thursday for a several day shoot. And that is assuming the new firmware works as advertised which is risky as hell to update the day before a shoot.
Normally, I shoot more scripted stuff so 2K RAW is fine, but this project has a major B-Roll component to it. The worst part is when the company hired me on about 3 weeks ago, I told them: "We will be able to shoot lots of B-Roll with 4:2:2 10-bit Pro-Res." Never did I imagine that it would drag out this long. And please spare me the "You should never advertise what is not out yet" lecture. I've worked in network TV for 14 years now major clients and the deadline is set in stone. There may have been a handful of times when we asked for an extra day, but that is very, very rare.
What CD needs now is a backup plan. It's becoming painfully obvious that Apple is not playing ball. Either start coding that DNxHD or AVCHD with the speed of the wind or allow a broader spectrum of Beta testers. We are going on 5 months without even a basic bug-fix, and the worst part is, I cannot tell clients that I can shoot Pro-Res 4:2:2 10-bit which definitely has an effect on you professionally.
So yes, CD, please have started Plan B about a week ago, because Pro-Res is probably not coming for a while and we need a real world solution.
on facebook 20 minutes ago: Convergent Design Yes, and check the website if you don't have an email by mid afternoon today
on facebook 20 minutes ago: Convergent Design Yes, and check the website if you don't have an email by mid afternoon today