Jim Anderson
Well-known member
Thanks for the info. A client I did a shoot for a few weeks ago insisted on XAVC 4K S-log3/cine. I recorded a safety 1920x1080 ProRes proxy on my 7Q with a lut baked in, but they didn't want it since they thought it would be an issue for MC without transcoding and would have preferred DN-xHD. It was their first project in 4K and the editor ended up asking me to email a few frame grabs of the ProRes files for a grading reference. IMHO, they should consider using Davinci Resolve to grade and then import into MC. I use PPro CC which can basically take any codec, but I have heard the earlier versions of MC could be fussy if the codec wasn't recognized.
http://andersonvideoproductions.com/ Sony F5, PMW-500 XDCAM, Canon C300, BMCC and Panasonic HD
http://andersonvideoproductions.com/ Sony F5, PMW-500 XDCAM, Canon C300, BMCC and Panasonic HD