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00:01-00:17 appear out of focus. When the actress comes in and sits on the bed she is in focus.
I am not a sound guy. It doesn't sound right to my ear, but sounds more like a small room issue, but fixable in post.
00:34 is shot from low for a power position for the male? The female head is actually higher though it is cut off. (conflict)
00:51 The male actor is facing and talking offscreen and it appears the 180 rule is broken.
The zipper shot in the end - function? Represent finality?
The acting, not the best in the world, but not bad either.
Enertainment wise it is a one minute long spouse fight that nobody wants to hear as we've all been there.
I would recommend getting over it as fast as possible and moving on to something more cinematic.
Explain why he is leaving, her get pissed off and leave.
Good luck. Hope this helps a little or gives you other quick ideas.
not to pick nits, but 0:55-1:05 also appears locked off.Everything but the first shot is handheld and I like that much more. Next time Im thinking all handheld, no locked down shots. I like the intimacy and movement.
not to pick nits, but 0:55-1:05 also appears locked off.
and as far as hand-held goes. it can be great unless its self-conscoiusly done and just looks "swimmy" which some of this does.
another thing i'd keep an eye on is the height of the camera. you have an eye-level shot, then youre looking down at them, then suddenly youre looking up from the floor. for this scene id keep your eye level as near constant as possible, unless there is some compelling reason to change - like looking down into the bag or something.
thats another thing to consider. every new-to-the-game DSLR shooter is conditioned to think that they need some kind of big-ass "rig"that rig gets heavy!
thats another thing to consider. every new-to-the-game DSLR shooter is conditioned to think that they need some kind of big-ass "rig"
yeah, a rig can help you with stabilizing a shot. but if you WANT the hand-held look, and youre not actually using a bunch of external accessories like a follow focus or mattebox, in many cases they are simply not needed. and as in this case may get in the way or simply add undesireable weight.
Lots of good tips above. Here is my .02
What about shooting this as he is trying to get into the car to leave? The space of the bedroom just feels so relaxed. The way she sits on the bed, the weird warmth of all the purple. That space just seems to suck all the tension out of what is supposed to be a tense scene. If this was shot at night as he is trying to drive away you could have a much more "tense" environment. Pregnant girl outside in the cold and dark, the car he is fleeing in is right there, you could end the scene with a door slam or screeching off as opposed to the zipper which feels kind of flat.
Good luck and Good on ya' for shooting and cutting a scene together! That's further than a lot of people get!