For Mirezzi - cam settings for Ginza scene
Sorry but couldnt tell you exact fstop and shutter speed, they were rolled around for each scene, but cam settings were:
Gamma: Cine 2
Knee: Low
Black: Middle
Sharpness: - 3
H DTL FREQ: Middle
NR1: Low
COLOR MAT.: Cine 2
COLOR GAIN: 28
Everything was set at 0
EDIT: Gain set at 0
White balance was set in an interior under tungsten light - I thought it gave the shots a nice clean look. When I compare it to the tungsten preset its almost exactly same white balance. The lighting in Ginza naturally has a very white feel so I wanted to retain that.
Chuck that clip is in the first post somewhere.
The transition is a Natress Plug in for FCP called: G film dissolve - interpostive 1 which can be found here:
http://www.nattress.com/
Stopped using any plug ins other than Nattress, seems no need for anything else with this tool set, and its cheap. I havent actually done any CC in any of the shots on this thread
Sorry but couldnt tell you exact fstop and shutter speed, they were rolled around for each scene, but cam settings were:
Gamma: Cine 2
Knee: Low
Black: Middle
Sharpness: - 3
H DTL FREQ: Middle
NR1: Low
COLOR MAT.: Cine 2
COLOR GAIN: 28
Everything was set at 0
EDIT: Gain set at 0
White balance was set in an interior under tungsten light - I thought it gave the shots a nice clean look. When I compare it to the tungsten preset its almost exactly same white balance. The lighting in Ginza naturally has a very white feel so I wanted to retain that.
Chuck that clip is in the first post somewhere.
The transition is a Natress Plug in for FCP called: G film dissolve - interpostive 1 which can be found here:
http://www.nattress.com/
Stopped using any plug ins other than Nattress, seems no need for anything else with this tool set, and its cheap. I havent actually done any CC in any of the shots on this thread