realdefender2002
Member
DISCLAIMER
Hello everyone - This is my first ever camera "review". Its more or less a summary of some of the obvious strengths & weaknesses of the HMC150 that have been discussed before. This is for those who know very little about the product & its basic features, and my opinions are based on the 2 days I spent testing the camera. If you are looking for more in-depth reviews & detailed comparisons etc, this will probably NOT meet those requirements.
About me
Recent College Graduate; extensive background in Film & Video Production. Had plenty of hands on training since the age of 16 in 3 CCD Cameras & film gear; learned a ton but still got a long ways to go
I have no brand alliance; I flock to whatever Cam best suits my need for film-making. My last camera was the Canon XH A1; which I sold in June. I had it for a whole year, so some comparisons will be made between the two. I do not own the HMC; I had access to one during testing.
Cameras used
Canon - GL1, GL2, XL1, XL1s, XL2, XH A1, XL H1, HV series
Panasonic - Dvx 100b, Hmc 150, Hvx 200a
Sony - PMW EX 1
Product I'm reviewing - The HMC 150
The HMC 150 is a camera that I came across while browsing B&H Photo late 2008-early 2009. My initial assumption was that it was the listing was a typo, seeing as to how SDHC media was listed instead of the expensive P2 for recording media. The skeptic in me decided to wait a few months, and after a colleague of mine acquired one for his projects; I eventually got to play around with it. Here are my observations.
PROS
- Low light performance; Is it just me or is the HMC a ton better in low light than its predecessors? Its an improvement I wasn't quite expecting. Id say its better that the A1 in night shoots for it avoids getting that videoish look that the canon in prone to (in my opinion anyway).
- The 24p mode; has a great look to it...and its one of the main reasons Im drawn to this cam. Most of my film projects are filmed in that frame-rate, with client projects getting the 30p treatment. The 24p mode on other "True" progressive cams doesnt quite look the same.
-Rich, Saturated Images - The footage is so fine right out of the box that a beginner in Video can achieve satisfactory results without extensive tweaking. It also minimizes the time needed to spent on boosting levels & enhancing the image in post. Idiot proof, if I may call it that. Love the gamma curves.
- SDHC Media; inexpensive and reusable, nuff said :smile:
- 60p Slo-Mo - This was a feature that I wished I had in my A1. Its a game-changer of sorts, along with the SDHC implementation.
CONS
- Poor LCD; Now coming from the Canon A1 (smaller screen, better res)... I found the bigger LCD on the HMC to be average at best. For a camera that is capable of producing rich images, the LCD is an eyesore. The viewing angle doesn't help either.
- Leica Dicomar Lens; Although the ground glass in the camera enhances the Filmic look of the footage, the lens itself is on the soft side and leaves a lot to be desired. The focus ring was slow & the biggest deal breaker for me.
-Not true 1080; Ive had to edit tons of 1080 footage over the past yr or so, and my first impression of the 1080 HMC footage was "Did I just get 720p footage or what?". Most users are probably aware of the limitations of the uprezzing being done in camera, but why can't panny address that with an improved imager? Footage looks good though; wish it was full raster.
- AVCHD - Although its more efficient compression-wise than MPEG-2, the footage is very hardware intensive. My quad core workstation occasionally chokes while doing simple editing. Hopefully, updates to the NLE's can fix this issue.
CONCLUSION
The HMC 150 is an amazing camera that flat out rocks in the Filmic-Look department. The AVDHD codec, although difficult to edit on average hardware, is getting better with updates to the NLE's and such (Premiere pro's 4.1 update FYI, waiting on Sony Vegas to release a true AVCHD Update). The ergonomics, although Toy-Like, allow for easy adjustments while filming Im sure those wanting to film events will have a better time doing hand-held shoots with this Cam. In my opinion, this camera will be perfect with some improvements to the chips & lens system. I am also currently in the market for a replacement camera for my A1 and the HMC 150 might just be the one. Thanks for reading :grin:
K. Adithya Ashok
Link to my demo reel
http://vimeo.com/5530664
Hello everyone - This is my first ever camera "review". Its more or less a summary of some of the obvious strengths & weaknesses of the HMC150 that have been discussed before. This is for those who know very little about the product & its basic features, and my opinions are based on the 2 days I spent testing the camera. If you are looking for more in-depth reviews & detailed comparisons etc, this will probably NOT meet those requirements.
About me
Recent College Graduate; extensive background in Film & Video Production. Had plenty of hands on training since the age of 16 in 3 CCD Cameras & film gear; learned a ton but still got a long ways to go
I have no brand alliance; I flock to whatever Cam best suits my need for film-making. My last camera was the Canon XH A1; which I sold in June. I had it for a whole year, so some comparisons will be made between the two. I do not own the HMC; I had access to one during testing.
Cameras used
Canon - GL1, GL2, XL1, XL1s, XL2, XH A1, XL H1, HV series
Panasonic - Dvx 100b, Hmc 150, Hvx 200a
Sony - PMW EX 1
Product I'm reviewing - The HMC 150
The HMC 150 is a camera that I came across while browsing B&H Photo late 2008-early 2009. My initial assumption was that it was the listing was a typo, seeing as to how SDHC media was listed instead of the expensive P2 for recording media. The skeptic in me decided to wait a few months, and after a colleague of mine acquired one for his projects; I eventually got to play around with it. Here are my observations.
PROS
- Low light performance; Is it just me or is the HMC a ton better in low light than its predecessors? Its an improvement I wasn't quite expecting. Id say its better that the A1 in night shoots for it avoids getting that videoish look that the canon in prone to (in my opinion anyway).
- The 24p mode; has a great look to it...and its one of the main reasons Im drawn to this cam. Most of my film projects are filmed in that frame-rate, with client projects getting the 30p treatment. The 24p mode on other "True" progressive cams doesnt quite look the same.
-Rich, Saturated Images - The footage is so fine right out of the box that a beginner in Video can achieve satisfactory results without extensive tweaking. It also minimizes the time needed to spent on boosting levels & enhancing the image in post. Idiot proof, if I may call it that. Love the gamma curves.
- SDHC Media; inexpensive and reusable, nuff said :smile:
- 60p Slo-Mo - This was a feature that I wished I had in my A1. Its a game-changer of sorts, along with the SDHC implementation.
CONS
- Poor LCD; Now coming from the Canon A1 (smaller screen, better res)... I found the bigger LCD on the HMC to be average at best. For a camera that is capable of producing rich images, the LCD is an eyesore. The viewing angle doesn't help either.
- Leica Dicomar Lens; Although the ground glass in the camera enhances the Filmic look of the footage, the lens itself is on the soft side and leaves a lot to be desired. The focus ring was slow & the biggest deal breaker for me.
-Not true 1080; Ive had to edit tons of 1080 footage over the past yr or so, and my first impression of the 1080 HMC footage was "Did I just get 720p footage or what?". Most users are probably aware of the limitations of the uprezzing being done in camera, but why can't panny address that with an improved imager? Footage looks good though; wish it was full raster.
- AVCHD - Although its more efficient compression-wise than MPEG-2, the footage is very hardware intensive. My quad core workstation occasionally chokes while doing simple editing. Hopefully, updates to the NLE's can fix this issue.
CONCLUSION
The HMC 150 is an amazing camera that flat out rocks in the Filmic-Look department. The AVDHD codec, although difficult to edit on average hardware, is getting better with updates to the NLE's and such (Premiere pro's 4.1 update FYI, waiting on Sony Vegas to release a true AVCHD Update). The ergonomics, although Toy-Like, allow for easy adjustments while filming Im sure those wanting to film events will have a better time doing hand-held shoots with this Cam. In my opinion, this camera will be perfect with some improvements to the chips & lens system. I am also currently in the market for a replacement camera for my A1 and the HMC 150 might just be the one. Thanks for reading :grin:
K. Adithya Ashok
Link to my demo reel
http://vimeo.com/5530664
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