Nektonic
Veteran
I hope not.
I also hope that things don't go that way. Problem is that they seem to be heading that direction. I just wonder if the studios will eventually just admit to themselves (and the audience) that they just don't want to hire writers and directors to do "original works" anymore. Maybe the rare occasion when a big name filmmaker wants to do something original. Even Avatar was a hard sell. Supposedly 20th Century Fox decided to foot the bill for Cameron because they didn't want the competing studios to have it, even though they didn't really think it was worth risking the money to make.
Then again, every movie is a financial risk, from no budget indies like El Mariachi at $7,000 to any mega budget $100+ million Hollywood blockbuster. Either way, the studios are continually moving towards less risk. The only way to continue to further mitigate the risk of lost funds is to keep moving towards "known IP" for film material. Sure it sucks, but it is the cold hard truth.
If it eventually comes to the point where all Hollywood movies are based on known IP, then isn't it easier for studios, agents, producers, etc. to gauge if new talent is capable by how well they can write and create stories in already established worlds like those of novels, comic books, TV shows, older films up for remake, and the dreaded reboot of a lagging property?