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I remember reading that there wasn't a script at all, actually. Just an idea, some great opportunities for locations and know-how.
Which is more than what half of what Hollywood puts out with an actual screenplay, imo.
Gareth Edwards just got pinned as the director for the New Godzilla remake.
Now that's success!
Not sure how I feel about this. Great for Gareth but, they already made Cloverfield, which I fear is the direction they will go. I don't want another film where Godzilla has no personality like the Emmerich version, or like the monster in Cloverfield. At that point it isn't Godzilla anymore.
This is concept art from the Lionsgate Godzilla. I think they learned a lot about what not to do from Emerich's movie and choosing Gareth Edwards also points in that direction. Monsters is about as far away from Independence Day as you can get with the same basic subgenre.Not sure how I feel about this. Great for Gareth but, they already made Cloverfield, which I fear is the direction they will go. I don't want another film where Godzilla has no personality like the Emmerich version, or like the monster in Cloverfield. At that point it isn't Godzilla anymore.
it'll be interesting to see how Gareth handles making a film in the studio system, especially something this big. I was speaking with an old work mate of his who said that Gareth has a hard time working with others and has always been a one-man band.
Watched this for the first time this evening. I agree with some of the comments around the dialog. On occasions it worked well and felt natural, but there were some lines that curled the toes. What mostly annoyed me about the movie was the overdoing of wide aperture shots. Felt a bit like a lot of the clips we see on Vimeo etc where f/1.2 somehow equals cinematography. Quite distracting. Overall though, it was a good ride and was certainly a breath of fresh air compared to the usual Hollywood antiseptic perfectionism (think Transformers, and X other disaster movies). I'll look forward to seeing what else this guy comes up with.
Do you mean the heavy-handed DOF shots? Those were because of budget. They had no permits and so everyone in the background was always walking around stopping and staring at what was happening. Had they not taken extreme measures to blur the backgrounds (even going to post for some, I think), it would have looked pretty silly and would have been much more distracting than any aperture choice.
Ah, I wondered if there was some post blurring of the background in parts. Hopefully his next movie will have a bigger budget so he can control what's happening in the background a bit more.